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My natural orientation has never been among a community of writers, really. For some reason my social world has always been in the art world.

Rachel Kushner

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Rachel Kushner
Age: 56
Born: 1968
Born: January 1
Journalist
Novelist
Writer
Eugene
Oregon
World
Community
Natural
Social
Art
Reason
Really
Orientation
Always
Writers
Never
Among

More quotes by Rachel Kushner

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The desire for love is universal but that has never meant it’s worthy of respect. It’s not admirable to want love, it just is.
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I have spent a lot of time in the art world, and I guess I do listen to how people speak. I'm interested in what they say and how they say it.
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I like to think each writer is doing his or her part. Feeding the lake, as Jean Rhys said. And maybe there are different lakes.
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I think art is much more about an engagement with the world, a way of being called upon and recognizing that the world is speaking to you. Which isn't quite solitude, even if you're alone when it happens.
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To be alive is to listen quietly while other people talk. That's how you learn something.
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When I see things in the world that leap out at me, I want to make use of them in fiction. Maybe every writer does that. It just depends on what you claim or appropriate as yours.
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And here I arrive at my point. The point is that everyone has a different dream. The point is that it is a grave mistake to assume your dream is in any way shared, that it’s a common dream. Not only is it not shared, not common, there is no reason to assume that other people don’t find you and your dream utterly revolting.
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People who want their love easy don't really want love.
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A funny thing about women and machines: the combination made men curious.
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I'm a very interior person. I love silence. I revel in it. I'm happy that way.
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Every person has a range. In fiction, you get to be it all. I’m as much the men in my book as I am the women. I write how I write and there is no mission to stake a claim.
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I don't really have those kinds of intentions when I write a scene. I try to follow the internal logic of the fiction, rather than make an argument or an assertion.
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You need a constant money source to live in New York City unless you're independently wealthy, which I'm not. But, from writing about art, I had met some artists in L.A. They said, Why don't you try living out here? So I traded apartments with the painter Delia Brown. That was in 2003. I loved it. I still love living there.
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I don't quite see the 20th century as one of chaos. But I believe in certain inevitable outcomes of a materialist nature.
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Writing a first novel was an arduous crash course. I learned so much in the six years it took me to write it, mostly technical things pertaining to craft.
Rachel Kushner
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I am interested in risk, in art as well as in the realm of politics.
Rachel Kushner
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It's really a misconception to identify the writer with the main character, given that the author creates all the characters in the book. In certain ways, I'm every character. Then again, there is a huge gap between me as a person and what I do in the novel.
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People are complicated. Personally I don't go in for puritanical people.
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One of the strategies for doing first-person is to make the narrator very knowing, so that the reader is with somebody who has a take on everything they observe.
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Making art was really about the problem of the soul, of losing it. It was a technique for inhabiting the world. For not dissolving into it.
Rachel Kushner