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I didn't think of the narrative as making a judgment. It didn't occur to me the reader would either, but that doesn't mean it isn't possible there would be that risk.
Rachel Kushner
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Rachel Kushner
Age: 56
Born: 1968
Born: January 1
Journalist
Novelist
Writer
Eugene
Oregon
Making
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Narrative
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More quotes by Rachel Kushner
Danzon is my favorite Cuban music, played by a traditional string orchestra with flute and piano. It's very formally structured but romantic music, which derives from the French-Haitian contradance.
Rachel Kushner
One of the strategies for doing first-person is to make the narrator very knowing, so that the reader is with somebody who has a take on everything they observe.
Rachel Kushner
Writing a first novel was an arduous crash course. I learned so much in the six years it took me to write it, mostly technical things pertaining to craft.
Rachel Kushner
Lovers offered only what they offered and nothing more, and what they offered came with provisos: believe what you want and don't look carefully at what isn't acceptable to you.
Rachel Kushner
I had been thinking about rubber all along. Like as the novel's element, or base material. A lot of artists in the late '60s and early '70s worked with rubber and other forms that seemed like they connoted industrial detritus. Robert Morris, Eva Hesse.
Rachel Kushner
Leave, with no answer. Move on to the next question.
Rachel Kushner
I think any time you deal with humans and the way they exploit one another and cause pain you are in the realm of politics, on some level.
Rachel Kushner
Motorcycles aren't about gaining agency, I don't think.
Rachel Kushner
You need a constant money source to live in New York City unless you're independently wealthy, which I'm not. But, from writing about art, I had met some artists in L.A. They said, Why don't you try living out here? So I traded apartments with the painter Delia Brown. That was in 2003. I loved it. I still love living there.
Rachel Kushner
The novel is a big space, and a lot can happen. Just think about the parts of your life. How do we account for our own contradictions? The only way to understand them is to let them exist, as truths that indicate something about character. People are built of elements that don't fit together - and the conflict of that is their essential drive.
Rachel Kushner
I don't quite see the 20th century as one of chaos. But I believe in certain inevitable outcomes of a materialist nature.
Rachel Kushner
The desire for love is universal but that has never meant it’s worthy of respect. It’s not admirable to want love, it just is.
Rachel Kushner
And here I arrive at my point. The point is that everyone has a different dream. The point is that it is a grave mistake to assume your dream is in any way shared, that it’s a common dream. Not only is it not shared, not common, there is no reason to assume that other people don’t find you and your dream utterly revolting.
Rachel Kushner
When I see things in the world that leap out at me, I want to make use of them in fiction. Maybe every writer does that. It just depends on what you claim or appropriate as yours.
Rachel Kushner
The kids I knew growing up who worked on bikes all loved the smell of gas. It is the liquid agent for speed.
Rachel Kushner
I like to think each writer is doing his or her part. Feeding the lake, as Jean Rhys said. And maybe there are different lakes.
Rachel Kushner
I begin a book with imagery, more than I do with an idea or a character. Some kind of poetic image.
Rachel Kushner
Making art was really about the problem of the soul, of losing it. It was a technique for inhabiting the world. For not dissolving into it.
Rachel Kushner
People who are harder to love pose a challenge, and the challenge makes them easier to love. You're driven to love them. People who want their love easy don't really want love.
Rachel Kushner
It's really a misconception to identify the writer with the main character, given that the author creates all the characters in the book. In certain ways, I'm every character.
Rachel Kushner