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Authenticity is too big a subject to just toss in with the question about the photographs!

Rachel Kushner

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Rachel Kushner
Age: 56
Born: 1968
Born: January 1
Journalist
Novelist
Writer
Eugene
Oregon
Subject
Subjects
Question
Bigs
Toss
Authenticity
Photographs
Photograph

More quotes by Rachel Kushner

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People who experience themselves as authentic are also experiencing themselves as myth, but that's not the narrative they're going with.
Rachel Kushner
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Lovers offered only what they offered and nothing more, and what they offered came with provisos: believe what you want and don't look carefully at what isn't acceptable to you.
Rachel Kushner
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People are complicated. Personally I don't go in for puritanical people.
Rachel Kushner
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Every person has a range. In fiction, you get to be it all. I’m as much the men in my book as I am the women. I write how I write and there is no mission to stake a claim.
Rachel Kushner
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I'm a very interior person. I love silence. I revel in it. I'm happy that way.
Rachel Kushner
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The kids I knew growing up who worked on bikes all loved the smell of gas. It is the liquid agent for speed.
Rachel Kushner
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In short, I'm pretty suspicious of the idea that there's a real and true and authentic world, and then a bunch of false ones.
Rachel Kushner
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I am interested in risk, in art as well as in the realm of politics.
Rachel Kushner
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Motorcycles aren't about gaining agency, I don't think.
Rachel Kushner
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In writing novels, you have to believe in yourself or there would be no way to sustain it. But you also have to give good evidence regularly for having that faith in self-either with quality goods or with, at least, good efforts. Working hard will do when inspiration is not forthcoming.
Rachel Kushner
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I like to think each writer is doing his or her part. Feeding the lake, as Jean Rhys said. And maybe there are different lakes.
Rachel Kushner
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One of the strategies for doing first-person is to make the narrator very knowing, so that the reader is with somebody who has a take on everything they observe.
Rachel Kushner
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I didn't think of the narrative as making a judgment. It didn't occur to me the reader would either, but that doesn't mean it isn't possible there would be that risk.
Rachel Kushner
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The novel is a big space, and a lot can happen. Just think about the parts of your life. How do we account for our own contradictions? The only way to understand them is to let them exist, as truths that indicate something about character. People are built of elements that don't fit together - and the conflict of that is their essential drive.
Rachel Kushner
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Making art was really about the problem of the soul, of losing it. It was a technique for inhabiting the world. For not dissolving into it.
Rachel Kushner
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And here I arrive at my point. The point is that everyone has a different dream. The point is that it is a grave mistake to assume your dream is in any way shared, that it’s a common dream. Not only is it not shared, not common, there is no reason to assume that other people don’t find you and your dream utterly revolting.
Rachel Kushner
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Eventually, I decided that if I was going to really write a novel, I couldn't do it in New York City while holding down a job. You need a constant money source to live in New York City unless you're independently wealthy, which I'm not.
Rachel Kushner
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I shy away from plot structure that depends on the characters behaving in ways that are going to eventually be explained by their childhood, or by some recent trauma or event. People are incredibly complicated. Who knows why they are the way they are?
Rachel Kushner
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I don't really have those kinds of intentions when I write a scene. I try to follow the internal logic of the fiction, rather than make an argument or an assertion.
Rachel Kushner
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Leave, with no answer. Move on to the next question.
Rachel Kushner