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One of the strategies for doing first-person is to make the narrator very knowing, so that the reader is with somebody who has a take on everything they observe.

Rachel Kushner

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Rachel Kushner
Age: 56
Born: 1968
Born: January 1
Journalist
Novelist
Writer
Eugene
Oregon
Firsts
Strategies
Everything
Observe
First
Strategy
Take
Reader
Make
Somebody
Knowing
Persons
Narrator
Person
Narrators

More quotes by Rachel Kushner

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Eventually, I decided that if I was going to really write a novel, I couldn't do it in New York City while holding down a job. You need a constant money source to live in New York City unless you're independently wealthy, which I'm not.
Rachel Kushner
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L.A. is a great place to write because you have a lot of space. I have a big office at home, I can leave the doors open. Flowers bloom all year. But it's unglamorous in all the right ways.
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Making art was really about the problem of the soul, of losing it. It was a technique for inhabiting the world. For not dissolving into it.
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For me, truth cracks open in the places where things do not cohere. That's how life is.
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I am interested in risk, in art as well as in the realm of politics.
Rachel Kushner
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Every person has a range. In fiction, you get to be it all. I’m as much the men in my book as I am the women. I write how I write and there is no mission to stake a claim.
Rachel Kushner
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You need a constant money source to live in New York City unless you're independently wealthy, which I'm not. But, from writing about art, I had met some artists in L.A. They said, Why don't you try living out here? So I traded apartments with the painter Delia Brown. That was in 2003. I loved it. I still love living there.
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People who experience themselves as authentic are also experiencing themselves as myth, but that's not the narrative they're going with.
Rachel Kushner
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It's really a misconception to identify the writer with the main character, given that the author creates all the characters in the book. In certain ways, I'm every character. Then again, there is a huge gap between me as a person and what I do in the novel.
Rachel Kushner
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When I see things in the world that leap out at me, I want to make use of them in fiction. Maybe every writer does that. It just depends on what you claim or appropriate as yours.
Rachel Kushner
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I have spent a lot of time in the art world, and I guess I do listen to how people speak. I'm interested in what they say and how they say it.
Rachel Kushner
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Since it's fiction, the book resonates, at least for me, on various levels, some of which intimate ideas about history but none of which have the kind of directly causal reasoning you cite.
Rachel Kushner
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I didn't think of the narrative as making a judgment. It didn't occur to me the reader would either, but that doesn't mean it isn't possible there would be that risk.
Rachel Kushner
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My natural orientation has never been among a community of writers, really. For some reason my social world has always been in the art world.
Rachel Kushner
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I don't regard the real and true and authentic as something to claim as a moral high ground.
Rachel Kushner
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I guess I'm not really fond of just chit-chatting. I want to learn something and have an experience.
Rachel Kushner
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I like to think each writer is doing his or her part. Feeding the lake, as Jean Rhys said. And maybe there are different lakes.
Rachel Kushner
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The desire for love is universal but that has never meant it’s worthy of respect. It’s not admirable to want love, it just is.
Rachel Kushner
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Leave, with no answer. Move on to the next question.
Rachel Kushner
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Motorcycles aren't about gaining agency, I don't think.
Rachel Kushner