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One of the strategies for doing first-person is to make the narrator very knowing, so that the reader is with somebody who has a take on everything they observe.
Rachel Kushner
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Rachel Kushner
Age: 56
Born: 1968
Born: January 1
Journalist
Novelist
Writer
Eugene
Oregon
Firsts
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Everything
Observe
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Make
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Narrators
More quotes by Rachel Kushner
Making art was really about the problem of the soul, of losing it. It was a technique for inhabiting the world. For not dissolving into it.
Rachel Kushner
Since it's fiction, the book resonates, at least for me, on various levels, some of which intimate ideas about history but none of which have the kind of directly causal reasoning you cite.
Rachel Kushner
Leave, with no answer. Move on to the next question.
Rachel Kushner
Motorcycles aren't about gaining agency, I don't think.
Rachel Kushner
And here I arrive at my point. The point is that everyone has a different dream. The point is that it is a grave mistake to assume your dream is in any way shared, that it’s a common dream. Not only is it not shared, not common, there is no reason to assume that other people don’t find you and your dream utterly revolting.
Rachel Kushner
You need a constant money source to live in New York City unless you're independently wealthy, which I'm not. But, from writing about art, I had met some artists in L.A. They said, Why don't you try living out here? So I traded apartments with the painter Delia Brown. That was in 2003. I loved it. I still love living there.
Rachel Kushner
When I see things in the world that leap out at me, I want to make use of them in fiction. Maybe every writer does that. It just depends on what you claim or appropriate as yours.
Rachel Kushner
I am interested in risk, in art as well as in the realm of politics.
Rachel Kushner
I think any time you deal with humans and the way they exploit one another and cause pain you are in the realm of politics, on some level.
Rachel Kushner
I'm a very interior person. I love silence. I revel in it. I'm happy that way.
Rachel Kushner
The novel is a big space, and a lot can happen. Just think about the parts of your life. How do we account for our own contradictions? The only way to understand them is to let them exist, as truths that indicate something about character. People are built of elements that don't fit together - and the conflict of that is their essential drive.
Rachel Kushner
My natural orientation has never been among a community of writers, really. For some reason my social world has always been in the art world.
Rachel Kushner
I don't really have those kinds of intentions when I write a scene. I try to follow the internal logic of the fiction, rather than make an argument or an assertion.
Rachel Kushner
People who are harder to love pose a challenge, and the challenge makes them easier to love. You're driven to love them. People who want their love easy don't really want love.
Rachel Kushner
For me, truth cracks open in the places where things do not cohere. That's how life is.
Rachel Kushner
It's really a misconception to identify the writer with the main character, given that the author creates all the characters in the book. In certain ways, I'm every character.
Rachel Kushner
The kids I knew growing up who worked on bikes all loved the smell of gas. It is the liquid agent for speed.
Rachel Kushner
Writing a first novel was an arduous crash course. I learned so much in the six years it took me to write it, mostly technical things pertaining to craft.
Rachel Kushner
In short, I'm pretty suspicious of the idea that there's a real and true and authentic world, and then a bunch of false ones.
Rachel Kushner
I have spent a lot of time in the art world, and I guess I do listen to how people speak. I'm interested in what they say and how they say it.
Rachel Kushner