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One of the strategies for doing first-person is to make the narrator very knowing, so that the reader is with somebody who has a take on everything they observe.
Rachel Kushner
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Rachel Kushner
Age: 56
Born: 1968
Born: January 1
Journalist
Novelist
Writer
Eugene
Oregon
Make
Somebody
Knowing
Persons
Narrator
Person
Narrators
Firsts
Strategies
Everything
Observe
First
Strategy
Take
Reader
More quotes by Rachel Kushner
I am interested in risk, in art as well as in the realm of politics.
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The desire for love is universal but that has never meant it’s worthy of respect. It’s not admirable to want love, it just is.
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People are complicated. Personally I don't go in for puritanical people.
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I don't quite see the 20th century as one of chaos. But I believe in certain inevitable outcomes of a materialist nature.
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It's really a misconception to identify the writer with the main character, given that the author creates all the characters in the book. In certain ways, I'm every character. Then again, there is a huge gap between me as a person and what I do in the novel.
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Motorcycles aren't about gaining agency, I don't think.
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For me, truth cracks open in the places where things do not cohere. That's how life is.
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Lovers offered only what they offered and nothing more, and what they offered came with provisos: believe what you want and don't look carefully at what isn't acceptable to you.
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When I see things in the world that leap out at me, I want to make use of them in fiction. Maybe every writer does that. It just depends on what you claim or appropriate as yours.
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I have spent a lot of time in the art world, and I guess I do listen to how people speak. I'm interested in what they say and how they say it.
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I think art is much more about an engagement with the world, a way of being called upon and recognizing that the world is speaking to you. Which isn't quite solitude, even if you're alone when it happens.
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Leave, with no answer. Move on to the next question.
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Writing a first novel was an arduous crash course. I learned so much in the six years it took me to write it, mostly technical things pertaining to craft.
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Every person has a range. In fiction, you get to be it all. I’m as much the men in my book as I am the women. I write how I write and there is no mission to stake a claim.
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I'm a very interior person. I love silence. I revel in it. I'm happy that way.
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To be alive is to listen quietly while other people talk. That's how you learn something.
Rachel Kushner
I think any time you deal with humans and the way they exploit one another and cause pain you are in the realm of politics, on some level.
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I had been thinking about rubber all along. Like as the novel's element, or base material. A lot of artists in the late '60s and early '70s worked with rubber and other forms that seemed like they connoted industrial detritus. Robert Morris, Eva Hesse.
Rachel Kushner
I shy away from plot structure that depends on the characters behaving in ways that are going to eventually be explained by their childhood, or by some recent trauma or event. People are incredibly complicated. Who knows why they are the way they are?
Rachel Kushner
And here I arrive at my point. The point is that everyone has a different dream. The point is that it is a grave mistake to assume your dream is in any way shared, that it’s a common dream. Not only is it not shared, not common, there is no reason to assume that other people don’t find you and your dream utterly revolting.
Rachel Kushner