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L.A. is a great place to write because you have a lot of space. I have a big office at home, I can leave the doors open. Flowers bloom all year. But it's unglamorous in all the right ways.

Rachel Kushner

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Rachel Kushner
Age: 56
Born: 1968
Born: January 1
Journalist
Novelist
Writer
Eugene
Oregon
Way
Bigs
Flower
Write
Office
Place
Doors
Home
Leave
Right
Ways
Great
Open
Unglamorous
Writing
Year
Bloom
Years
Space
Flowers

More quotes by Rachel Kushner

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Lovers offered only what they offered and nothing more, and what they offered came with provisos: believe what you want and don't look carefully at what isn't acceptable to you.
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Danzon is my favorite Cuban music, played by a traditional string orchestra with flute and piano. It's very formally structured but romantic music, which derives from the French-Haitian contradance.
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People who want their love easy don't really want love.
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I don't quite see the 20th century as one of chaos. But I believe in certain inevitable outcomes of a materialist nature.
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I didn't think of the narrative as making a judgment. It didn't occur to me the reader would either, but that doesn't mean it isn't possible there would be that risk.
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People who are harder to love pose a challenge, and the challenge makes them easier to love. You're driven to love them. People who want their love easy don't really want love.
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Writing is a way of living. It doesn't quite matter that there are too many books for the number of readers in the world to read them. It's a way of being alive, for the writer.
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For me, truth cracks open in the places where things do not cohere. That's how life is.
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In short, I'm pretty suspicious of the idea that there's a real and true and authentic world, and then a bunch of false ones.
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I like to think each writer is doing his or her part. Feeding the lake, as Jean Rhys said. And maybe there are different lakes.
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I'm a very interior person. I love silence. I revel in it. I'm happy that way.
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I begin a book with imagery, more than I do with an idea or a character. Some kind of poetic image.
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Eventually, I decided that if I was going to really write a novel, I couldn't do it in New York City while holding down a job. You need a constant money source to live in New York City unless you're independently wealthy, which I'm not.
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Making art was really about the problem of the soul, of losing it. It was a technique for inhabiting the world. For not dissolving into it.
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My natural orientation has never been among a community of writers, really. For some reason my social world has always been in the art world.
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Motorcycles aren't about gaining agency, I don't think.
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And here I arrive at my point. The point is that everyone has a different dream. The point is that it is a grave mistake to assume your dream is in any way shared, that it’s a common dream. Not only is it not shared, not common, there is no reason to assume that other people don’t find you and your dream utterly revolting.
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People are complicated. Personally I don't go in for puritanical people.
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I don't really have those kinds of intentions when I write a scene. I try to follow the internal logic of the fiction, rather than make an argument or an assertion.
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The desire for love is universal but that has never meant it’s worthy of respect. It’s not admirable to want love, it just is.
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