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An eating disorder epidemic suggests that love and disgust are being jointly marketed, as it were that wherever the proposition might first have come from, the unacceptability of the female body has been disseminated culturally.

Rachel Cusk

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Rachel Cusk
Age: 57
Born: 1967
Born: January 1
Novelist
Writer
Eating
Epidemics
Body
Proposition
Might
Suggests
Disseminated
Firsts
Propositions
Jointly
Come
Disgusting
Marketed
First
Disorder
Epidemic
Love
Wherever
Disgust
Female
Culturally

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You could time a suburban story by your watch: it lasts as long as it takes a small furry animal that's lonely to find friends, or a small furry animal that's lost to find its parents it lasts as long as a quick avowal of love it lasts precisely as long as the average parent is disposed on a Tuesday night to spend reading aloud to children.
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Honest criticism, I suppose, has its place. But honest writing is infinitely more valuable.
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Feminism remains something that needs to be explained to people.
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Divorce also entails the beginning of a supposition that that familial reality might have obstructed one's ability to perceive others.
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Every time I write a book, I've probably taken five years off my life.
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I don't go to church any more, but I think that Catholicism is rather like the brand they use on cattle: I feel so formed in that Catholic mould that I don't think I could adopt any other form of spirituality. I still get feelings of consolation about churches.
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Human beings have a need, generally, to destroy things. The Freudian principle of civilisation is correct. There's always, always a difference between the family image and the reality.
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I don't really believe in stories, only in the people who tell them.
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In domestic life the woman's value is inherent, unquantifiable at home she exchanges proven values for mythological ones. She wants to be at home, and because she is a woman she's allowed to want it. This desire is her mystique, it is both what enables her to domesticate herself and what disempowers her.
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I have no sense of a model or predecessor when I write a memoir: For me, the form exists as a method of processing material that retains too many connections to life to be approached strictly and aesthetically. A memoir is a risk, a one-off, a bastard child.
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A neighbor is something that belongs to the stable world of home life, the thing that lives next door to you.
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The anorexic body is held in the grip of will alone its meaning is far from stable. What it says - 'Notice me, feed me, mother me' - is not what it means, for such attentions constitute an agonising test of that will, and also threaten to return the body to the dreaded 'normality' it has been such ecstasy to escape.
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I have absolutely no concept of work, except for university. But I like to talk to people a lot about their jobs.
Rachel Cusk
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The true self seeks release, not constraint. It doesnt want to be corseted in a sonnet or made to learn a system of musical notations. It wants liberation, which is why very often it fastens on the novel, for the novel seems spacious, undefined, free.
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It is living, not thinking, as a feminist that has become the challenge.
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A feminist man is a bit like a vegetarian: it's the humanitarian principle he's defending, I suppose.
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As writers go, I have a skin of average thickness. I am pleased by a good review, disappointed by a bad. None of it penetrates far enough to influence the thing I write next.
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The writing you allude to is a form of dissent, but it's also expressive of the need to evolve beyond what is turgid and stale in contemporary fiction.
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Even if they knew the truth of their own feelings, most mothers would be socially and emotionally incapable of revealing it.
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Hope is like one of those orchids that grows around toxic waste: lovely in itself - and an assertion, if you like, of indefatigable good - but a sure sign that something nasty lies underneath.
Rachel Cusk