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A feminist man is a bit like a vegetarian: it's the humanitarian principle he's defending, I suppose.

Rachel Cusk

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Rachel Cusk
Age: 57
Born: 1967
Born: January 1
Novelist
Writer
Vegetarian
Feminist
Suppose
Principle
Principles
Bits
Men
Defending
Like
Humanitarian

More quotes by Rachel Cusk

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Even if they knew the truth of their own feelings, most mothers would be socially and emotionally incapable of revealing it.
Rachel Cusk
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I don't go to church any more, but I think that Catholicism is rather like the brand they use on cattle: I feel so formed in that Catholic mould that I don't think I could adopt any other form of spirituality. I still get feelings of consolation about churches.
Rachel Cusk
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There are certain types of slightly hysterical human characters who, rather than creating, walk around with a sense of their own potential - it's as if they themselves were art objects. They feel as if their lives are written narratives, or pieces of music.
Rachel Cusk
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I have absolutely no concept of work, except for university. But I like to talk to people a lot about their jobs.
Rachel Cusk
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Human beings have a need, generally, to destroy things. The Freudian principle of civilisation is correct. There's always, always a difference between the family image and the reality.
Rachel Cusk
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It is interesting how keen people are for you to do something they would never dream of doing themselves, how enthusiasticall y they drive you to your own destruction.
Rachel Cusk
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Hope is one of those no-win-no-fee things, and although it needs some encouragement to survive, its existence doesn't necessarily prove anything.
Rachel Cusk
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A neighbor is something that belongs to the stable world of home life, the thing that lives next door to you.
Rachel Cusk
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A sentence is born into this world neither good nor bad, and that to establish its character is a question of the subtlest possible adjustments, a process of intuition to which exaggeration and force are fatal.
Rachel Cusk
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Leaving things behind and starting again is a way of coping with difficulties. I learnt very early in my life that I was able to leave a place and still remain myself.
Rachel Cusk
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The writing you allude to is a form of dissent, but it's also expressive of the need to evolve beyond what is turgid and stale in contemporary fiction.
Rachel Cusk
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I don't really believe in stories, only in the people who tell them.
Rachel Cusk
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My children are living, thinking human beings. It isn't in my power to regret them, for they belong to themselves.
Rachel Cusk
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The reaction to 'Aftermath' has been far worse than to 'A Life's Work,' yet I find I'm perhaps a little less touched by it. In both cases, I've coped artistically by believing the criticisms weren't right. They upset me, but they didn't challenge my understanding of how to write, nor of how morality functions in literature.
Rachel Cusk
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I was aware, in those early days of motherhood, that my behaviour was strange to the people who knew me well. It was as though I had been brainwashed, taken over by a cult religion. And yet this cult, motherhood, was not a place where I could actually live. Like any cult, it demanded a complete surrender of identity to belong to it.
Rachel Cusk
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You could time a suburban story by your watch: it lasts as long as it takes a small furry animal that's lonely to find friends, or a small furry animal that's lost to find its parents it lasts as long as a quick avowal of love it lasts precisely as long as the average parent is disposed on a Tuesday night to spend reading aloud to children.
Rachel Cusk
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It's a pretty brutal process, having a baby.
Rachel Cusk
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I felt that I could swim for miles, out into the ocean: a desire for freedom, an impulse to move, tugged at me as though it were a thread fastened to my chest. It was an impulse I knew well, and I had learned that it was not the summons from a larger world I used to believe it to be. It was simply a desire to escape from what I had.
Rachel Cusk
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Divorce also entails the beginning of a supposition that that familial reality might have obstructed one's ability to perceive others.
Rachel Cusk
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The woman who thinks she can choose femininity, can toy with it like the social drinker toys with wine - well, she's asking for it, asking to be undone, devoured, asking to spend her life perpetrating a new fraud, manufacturing a new fake identity, only this time it's her equality that's fake.
Rachel Cusk