I wonder if being sane means disregarding the chaos that is life, pretending only an infinitesimal segment of it is reality.

When I'm writing I don't feel any pressure. It's after I'm done that I start freaking out. But really, when I'm in Lebanon, I don't write much because I'm surrounded by family. I feel immersed, or enmeshed, in too many currents. I love that, but it's not conducive to writing. In San Francisco, nothing interferes with me but my cats.

How can I expect readers to know who I am if I do not tell them about my family, my friends, the relationships in my life? Who am I if not where I fit in the world, where I fit in the lives of the people dear to me?

For someone like me and my generation, you had to speak French to be sophisticated, you had to be lighter-skinned.

Is life less thrilling if your neighbors are rational, if they don’t bomb your power stations whenever they feel you need to be admonished? Is it less rousing if they don’t rattle your windows and nerves with indiscriminate sonic booms just because they can?

I wonder whether there is such a thing as a sense of individuality. Is it all a facade, covering a deep need to belong? Are we simply pack animals desperately trying to pretend we are not?

By nature, a storyteller is a plagiarist. Everything one comes across - each incident, book, novel, life episode, story, person, news clip - is a coffee bean that will be crushed, ground up, mixed with a touch of cardamom, sometimes a tiny pinch of salt, boiled thrice with sugar, and served as a piping-hot tale.

Me? I was lost for long time. I didn’t make any friends for few years. You can say I made friends with two trees, two big trees in the middle of the school […]. I spent all my free time up in those trees. Everyone called me Tree Boy for the longest time. […]. I preferred trees to people. After that I preferred pigeons, but it was trees first.

What is the purpose of a city if not to grant the greatest of gifts, anonymity?

I opened myself to you only to be skinned alive. The more vulnerable I became, the faster and more deft your knife. Knowing what was happening, still I stayed and let you carve more. That's how much I loved you. That's how much.