Quote

Some summers my father would take us down to visit our grandmother in Louisville, who was an ex-slave, Susan Jones, and she had a shotgun shack they call it, and no electricity, a well in the back, a coal stove, kerosene lamps.

Quincy Jones

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Quincy Jones
Age: 91
Born: 1933
Born: March 14
Actor
Autobiographer
Bandleader
Composer
Conductor
Film Producer
Humanitarian
Instrumentalist
Jazz Musician
Jazz Trumpeter
Music Arranger
Chicago
Illinois
Q
Quincy
Quincy Delight Jones Jr.
Quincy Delight Jones Jr
Quincy Jones Jr.
Take
Grandmother
Stoves
Would
Slave
Summers
Kerosene
Summer
Jones
Louisville
Call
Exes
Shotgun
Father
Lamps
Shotguns
Back
Electricity
Stove
Wells
Coal
Susan
Well
Visit
Shack

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I was the most subtle person in the world.
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I go to the favelas in Brazil. It's the same in the South Side of Chicago. It's the same, or just more violent. We're trying to get them to stop selling dope. You see kids with AK-47s, and nine-year-olds with nine millimeters. You know, they don't play. They make us look like nuns.
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A lot of the guys were like that - Oscar Pettiford - they just took me under their wing, and that's why I automatically help young people. I just love it, because they did that for me.
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Eight kids and a stepmother, and I just wanted to be out of there and so when I got a scholarship from Boston to the Schillinger House, which is now the Berklee School of Music, I couldn't wait to get out of there.
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Playing the game, and unfortunately, playing the gangster game is very profitable.
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I've met every freak in the business.
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Everybody has their idiosyncrasies.
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Im probably the only one in the world you can name thats worked with Billie Holiday, Louie Armstrong, Ella, Duke, Miles, Dizzy, Ray Charles, Aretha, Michael Jackson, rappers. Fly Me to the Moon was played on the moon by Buzz Aldrin. Sinatra. Paul Simon. Tony Bennett. Im the only one.
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The people who make it to the top - whether they're musicians, or great chefs, or corporate honchos - are addicted to their calling ... [they] are the ones who'd be doing whatever it is they love, even if they weren't being paid.
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My dream is to put together a performance of the evolution of black music with Cirque du Soleil . I would also like to do street opera and children's books. But even as I work toward these things, I want to simplify my life.
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Jazz has the power to make men forget their differences and come together... Jazz is the personification of transforming overwhelmingly negative circumstances into freedom, friendship, hope, and dignity.
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I don't deserve a Songwriters Hall of Fame Award. But fifteen years ago, I had a brain operation and I didn't deserve that, either. So I'll keep it.
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I've always thought that a big laugh is a really loud noise from the soul saying, Ain't that the truth.
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Benny [Carter] opened the eyes of a lot of producers and studios, so that they could understand that you could go to blacks for other things outside of blues and barbecue. He's a total musician. He was the pioneer, he was the foundation. He made it possible for that doubt to be taken away.
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I was raised in Chicago and I guess that was one of the special breeding grounds for gangsters of all colors. That was the Detroit of the gangster world. The car industry was thugs.
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We got into all the trouble you could ever imagine. We figured that if the Jones boys and all the gangsters ran Chicago, we had our own territory now. All the stores, all the crime, we were in charge of everything, my stepbrother and my brother.
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I was married for 36 years but now I'm free.
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