Quote

It's very freaky in Chicago.There's something in the water there, I don't know what it is. But the actual word Chicago means, in the Indian language, garlic. It was just garlic and mosquitoes there. And that is the roughest city on the planet, and I been to every place in the world.

Quincy Jones

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Quincy Jones
Age: 91
Born: 1933
Born: March 14
Actor
Autobiographer
Bandleader
Composer
Conductor
Film Producer
Humanitarian
Instrumentalist
Jazz Musician
Jazz Trumpeter
Music Arranger
Chicago
Illinois
Q
Quincy
Quincy Delight Jones Jr.
Quincy Delight Jones Jr
Quincy Jones Jr.
Water
Chicago
Language
Actual
Means
Indian
Place
Planet
Mean
Planets
Roughest
Every
City
Freaky
Something
Cities
Mosquitoes
World
Word
Garlic

More quotes by Quincy Jones

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Greatness occurs when your children love you, when your critics respect you and when you have peace of mind.
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The climate in the '50s and '60s for black performers or black people in the entertainment business was atrocious. It was atrocious.
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We got into all the trouble you could ever imagine. We figured that if the Jones boys and all the gangsters ran Chicago, we had our own territory now. All the stores, all the crime, we were in charge of everything, my stepbrother and my brother.
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The process is the most beautiful part.
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The people who make it to the top - whether they're musicians, or great chefs, or corporate honchos - are addicted to their calling ... [they] are the ones who'd be doing whatever it is they love, even if they weren't being paid.
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I was reading Omar Khayyam, Kahlil Gibran, Rumi, L. Ron Hubbard, all sorts of philosophy. Bebop cats are like that. Curious. I wanted to know about everything.
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You can study orchestration, you can study harmony and theory and everything else, but melodies come straight from God.
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There's power in the collective. If you don't believe me, just watch a symphony orchestra with a conductor and 120 people who are thinking about exactly the same thing at the same moment - no babies, no stock markets, no mortgages. Just 32nd notes.
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I'm never in my life going to do a record that's a tribute to myself. I don't need it.
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Count Basie practically adopted me at 13. We became closer and closer and I ended up conducting for him and Sinatra.
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Every country can be defined through their food, their music and their language. That's the soul of a country.
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Music in movies is all about dissonance and consonance, tension and release.
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Everybody has their idiosyncrasies.
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Eight kids and a stepmother, and I just wanted to be out of there and so when I got a scholarship from Boston to the Schillinger House, which is now the Berklee School of Music, I couldn't wait to get out of there.
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It's easy to get next to music theory, especially between your peers and music classes and so forth. You just pay attention. I had a good ear, so I realized that printed music was just about reminding you what to play.
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When I was about five or seven years old my mother was placed in a mental institution and so we were with our father who worked very hard, and we had to figure a lot of things out.
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China's got a billion people and a hit record over there is a million records. You know that ain't right.
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I was inspired by a lot of people when I was young, every band that came through town, to the theater, or the dance hall. I was at every dance, every night club, listened to every band that came through, because in those days we didn't have MTV, we didn't have television.
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Benny [Carter] opened the eyes of a lot of producers and studios, so that they could understand that you could go to blacks for other things outside of blues and barbecue. He's a total musician. He was the pioneer, he was the foundation. He made it possible for that doubt to be taken away.
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I improvised my life along the way - I just moved step-by-step. And I knew that if I got better, something would happen.
Quincy Jones