Quote

It's very freaky in Chicago.There's something in the water there, I don't know what it is. But the actual word Chicago means, in the Indian language, garlic. It was just garlic and mosquitoes there. And that is the roughest city on the planet, and I been to every place in the world.

Quincy Jones

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Quincy Jones
Age: 91
Born: 1933
Born: March 14
Actor
Autobiographer
Bandleader
Composer
Conductor
Film Producer
Humanitarian
Instrumentalist
Jazz Musician
Jazz Trumpeter
Music Arranger
Chicago
Illinois
Q
Quincy
Quincy Delight Jones Jr.
Quincy Delight Jones Jr
Quincy Jones Jr.
Language
Actual
Means
Indian
Place
Planet
Mean
Planets
Roughest
Every
City
Freaky
Something
Cities
Mosquitoes
World
Word
Garlic
Water
Chicago

More quotes by Quincy Jones

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I was reading Omar Khayyam, Kahlil Gibran, Rumi, L. Ron Hubbard, all sorts of philosophy. Bebop cats are like that. Curious. I wanted to know about everything.
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There's power in the collective. If you don't believe me, just watch a symphony orchestra with a conductor and 120 people who are thinking about exactly the same thing at the same moment - no babies, no stock markets, no mortgages. Just 32nd notes.
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The act of multitrack recording is the act of arranging.
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Playing the game, and unfortunately, playing the gangster game is very profitable.
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Every day you must be able to say, I have to get up because I'm needed by someone. As long as you have that, you're healthy.
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The people who make it to the top - whether they're musicians, or great chefs, or corporate honchos - are addicted to their calling ... [they] are the ones who'd be doing whatever it is they love, even if they weren't being paid.
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I was the most subtle person in the world.
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My brother died of cancer two years ago (1998), renal cell carcinoma. He was my only real brother and I didn't know what to do. I'd never been so desperate in my life.
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Some summers my father would take us down to visit our grandmother in Louisville, who was an ex-slave, Susan Jones, and she had a shotgun shack they call it, and no electricity, a well in the back, a coal stove, kerosene lamps.
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All the jazz guys had interracial relationships, and even the ladies did. Over the years, interracial relationships have been a hip, almost defiant thing, a way of saying Nobody can put a boundary around me.
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After every war, there was a significant change in the music, and I can understand how that happened. If you participate in protecting the country, you think you can be part of it, but you come back home and it's worse than ever.
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I was raised in Chicago and I guess that was one of the special breeding grounds for gangsters of all colors. That was the Detroit of the gangster world. The car industry was thugs.
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You have to know that your real home is within.
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I improvised my life along the way - I just moved step-by-step. And I knew that if I got better, something would happen.
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Michael (Jackson) was so shy, he'd sit down and sing behind the couch with his back to me while I sat with my hands over my eyes-and the lights off.
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Benny [Carter] opened the eyes of a lot of producers and studios, so that they could understand that you could go to blacks for other things outside of blues and barbecue. He's a total musician. He was the pioneer, he was the foundation. He made it possible for that doubt to be taken away.
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The climate in the '50s and '60s for black performers or black people in the entertainment business was atrocious. It was atrocious.
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When I was about five or seven years old my mother was placed in a mental institution and so we were with our father who worked very hard, and we had to figure a lot of things out.
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We got into all the trouble you could ever imagine. We figured that if the Jones boys and all the gangsters ran Chicago, we had our own territory now. All the stores, all the crime, we were in charge of everything, my stepbrother and my brother.
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A song should have all the color and beauty of every rose.
Quincy Jones