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The climate in the '50s and '60s for black performers or black people in the entertainment business was atrocious. It was atrocious.

Quincy Jones

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Quincy Jones
Age: 91
Born: 1933
Born: March 14
Actor
Autobiographer
Bandleader
Composer
Conductor
Film Producer
Humanitarian
Instrumentalist
Jazz Musician
Jazz Trumpeter
Music Arranger
Chicago
Illinois
Q
Quincy
Quincy Delight Jones Jr.
Quincy Delight Jones Jr
Quincy Jones Jr.
Atrocious
Performers
Entertainment
Climate
Black
Business
People

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Playing the game, and unfortunately, playing the gangster game is very profitable.
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Let's not get too full of ourselves. Let's leave space for God to come into the room.
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I got to trumpet, finally. That's why I love to write for brass, and [Count] Basie and [Frank] Sinatra and all that stuff, 'cause that's just like part of my DNA.
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It's very freaky in Chicago.There's something in the water there, I don't know what it is. But the actual word Chicago means, in the Indian language, garlic. It was just garlic and mosquitoes there. And that is the roughest city on the planet, and I been to every place in the world.
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I'm just a musician and a record producer.
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Editing while you're writing is like strangling the baby in the crib.
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We got into all the trouble you could ever imagine. We figured that if the Jones boys and all the gangsters ran Chicago, we had our own territory now. All the stores, all the crime, we were in charge of everything, my stepbrother and my brother.
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My son is a hip-hop producer.
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Music in movies is all about dissonance and consonance, tension and release.
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I was the most subtle person in the world.
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The process is the most beautiful part.
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Communications are making this one world. Back in the day, 400-500 years ago, nobody knew what anyone else was doing. It's on the 6 O'Clock news now. Now we can say, Oh, that's the way they live. Oh, they do that!! Opportunities, the chance to bring about change, it's all based on communication. Communication and jet planes.
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The act of multitrack recording is the act of arranging.
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I went with Lionel Hampton for three years. Out of that came a trip to Europe.
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Michael (Jackson) was so shy, he'd sit down and sing behind the couch with his back to me while I sat with my hands over my eyes-and the lights off.
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I was inspired by a lot of people when I was young, every band that came through town, to the theater, or the dance hall. I was at every dance, every night club, listened to every band that came through, because in those days we didn't have MTV, we didn't have television.
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When I was about five or seven years old my mother was placed in a mental institution and so we were with our father who worked very hard, and we had to figure a lot of things out.
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I was raised in Chicago and I guess that was one of the special breeding grounds for gangsters of all colors. That was the Detroit of the gangster world. The car industry was thugs.
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To me it's no accident that all the symphony orchestras around the world tune up to the note A. And A is 440 cycles, except in Germany where it's 444. But the universe is 450 cycles. So what I'm trying to say is, I think it's God's voice, melody especially. Counterpoint, retrograde inversion, harmony... that's the science and the craft.
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Jazz has the power to make men forget their differences and come together... Jazz is the personification of transforming overwhelmingly negative circumstances into freedom, friendship, hope, and dignity.
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