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I hear a lot of cries of socialism and certainly real disguises of Why should I share my money with these people? We have to get back to we. It's important to get back to we not just I.
Questlove
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Questlove
Age: 53
Born: 1971
Born: January 20
Actor
Composer
Disc Jockey
Drummer
Film Director
Musician
Record Producer
Philadelphia
Pennsylvania
?uestlove
Ahmir Thompson
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Money
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Real
Disguise
Important
Socialism
People
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Certainly
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Switching off perfection switched on the human quality
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Working with the artist elite can be like banging your head against the wall.
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When you first start off, you see what other people have and quietly say, I want that.
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I hate holidays because it's the quietest it's the most deafening sound in my apartment.
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During the 2008 election, I made clear to the Obama campaign that I don't think it's wise for me to force my personal political agenda on anyone.
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I prefer to unwind by DJing. I learned that from Mike D from the Beastie Boys. After a show, he would DJ. Once I saw that, I wanted to do that. And now DJing is like my lifeline. I love the power it represents.
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Classical music requires an immense amount of concentration, and I don't know if I would've been that committed to that particular life.
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Hip-hop is an instant gratification, winners and losers circle, and often those who are losing give up after three or four, five years.
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I don't have friends, and it's hard for me to make new friends. Right now, the people that are in my life are the people that I work with.
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You can't live off of just greasy fatty foods and stayin' up till six in the mornin' just partyin'. You gotta take care of yourself.
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The only mofos in my circle are people that I can learn from.
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My first gig was at Radio City Music Hall when I was 13.
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Crack offered a lot of money to the inner-city youth who didn't go to college. Which enabled them to become businessmen. I know about maybe five people in the entertainment industry who did their peak work as a result of crack usage.
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The Chronic represented everything that I hated about hip-hop as a fan, but then later represented everything that I stood for as a musician and engineer.
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It's funny, I can see the science in how music is made with other artists, but it's hard for me to dissect my own thing.
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Half the time, my job is basically to talk people off the ledge. It's more psychological than just me picking up some sticks and counting, 1, 2, 3, 4.
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To be hip-hop is much more than just rapping in the production. It is more in the attitude.
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We have to get back to we. It's important to get back to we not just I.
Questlove
For anyone that's ever had a musical breakthrough in their career, it's always followed by the departure period right after.
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I really appreciate when people use their fame and their voice for more than just self-promotion, starting a dialogue about a topic or an issue much bigger than themselves.
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