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It's easy for me to say, Oh yeah, that's the self-saboteur move that most artists pull whenever they're afraid.
Questlove
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Questlove
Age: 53
Born: 1971
Born: January 20
Actor
Composer
Disc Jockey
Drummer
Film Director
Musician
Record Producer
Philadelphia
Pennsylvania
?uestlove
Ahmir Thompson
Artist
Pull
Self
Whenever
Artists
Yeah
Afraid
Move
Moving
Easy
Saboteurs
More quotes by Questlove
I never want to get to that level of poverty where taking a bath has to be a hot-pot experience.
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Working with the artist elite can be like banging your head against the wall.
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When you live your life through records, the records are a record of your life.
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There's no such thing as success on an isolated level.
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I love traveling the States no matter what. I love traveling abroad, going to Japan and Australia. I love it. I never get tired of it.
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I don't have friends, and it's hard for me to make new friends. Right now, the people that are in my life are the people that I work with.
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At 25, my idea of success may have been more vain, like, I'll be good the day that there's $20 million in my account and I have this particular house and the wife and 2.5 kids. But at 40 - and I know it's kind of silly telling you guys this - but as long as my Metacritic rating stays above 80, that's all I care about.
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My first gig was at Radio City Music Hall when I was 13.
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Jay-Z is a dude that can give you a hundred 'Simpsons' quotes, like, 'What you know about the monorail?'
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Kurt Cobain represents a very legit, realistic outlook. Before that, in my head, to be a white artist was to be privileged.
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I keep moving through time and time keeps moving through me. And through that process, life takes shape. The question is what shape it is. I'm not the first person to ask that question, or to see how absurd it is to think there's a real answer. Maybe life's a circle.
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To be hip-hop is much more than just rapping in the production. It is more in the attitude.
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For anyone that's ever had a musical breakthrough in their career, it's always followed by the departure period right after.
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When you first start off, you see what other people have and quietly say, I want that.
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I feel like the downfall of any person is the second an artist starts celebrating their work themselves, that becomes problematic.
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I don't think crack happened by accident. I'm part conspiracy theorist, because you can't develop something that dangerous and have it not be planned.
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The Chronic represented everything that I hated about hip-hop as a fan, but then later represented everything that I stood for as a musician and engineer.
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It's funny, I can see the science in how music is made with other artists, but it's hard for me to dissect my own thing.
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I really appreciate when people use their fame and their voice for more than just self-promotion, starting a dialogue about a topic or an issue much bigger than themselves.
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At the end of the day, I don't release any records that I'm not proud to put my name on. I never got to that point.
Questlove