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It's easy for me to say, Oh yeah, that's the self-saboteur move that most artists pull whenever they're afraid.
Questlove
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Questlove
Age: 53
Born: 1971
Born: January 20
Actor
Composer
Disc Jockey
Drummer
Film Director
Musician
Record Producer
Philadelphia
Pennsylvania
?uestlove
Ahmir Thompson
Afraid
Move
Moving
Easy
Saboteurs
Artist
Pull
Self
Whenever
Artists
Yeah
More quotes by Questlove
It's a funny word, persistence. It means not giving up, but it also means just passing on through time.
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I've always been a lover of hoodies. I'm a guy that travels a lot. I'm a guy that spends a lot of time on a cold air-conditioned tour bus. I'm a guy that likes to watch movies in peace. I'm a guy that likes to travel in the airport in peace.
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The only mofos in my circle are people that I can learn from.
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I grew up in somewhat of a war zone in West Philadelphia in 1985, '86. It wasn't as extreme as someone coming in the classroom and just unloading on a class, but I knew to take the scenic route to go to the grocery store to avoid certain elements.
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You can't live off of just greasy fatty foods and stayin' up till six in the mornin' just partyin'. You gotta take care of yourself.
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For anyone that's ever had a musical breakthrough in their career, it's always followed by the departure period right after.
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During the 2008 election, I made clear to the Obama campaign that I don't think it's wise for me to force my personal political agenda on anyone.
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Every time a new record started, people exhaled with pleasure, or their bodies moved automatically. I really started getting high off of the euphoric exclamations. Every record I put on was like a baptism.
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Hip-hop is an instant gratification, winners and losers circle, and often those who are losing give up after three or four, five years.
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Working with the artist elite can be like banging your head against the wall.
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My parents were really strict about me not watching cartoons.
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We have to get back to we. It's important to get back to we not just I.
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There's no such thing as success on an isolated level.
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I hate videos. I'm meticulous on everything from cover art, fonts, productions, mixing. But when it comes to videos, I just feel so defeated.
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At 25, my idea of success may have been more vain, like, I'll be good the day that there's $20 million in my account and I have this particular house and the wife and 2.5 kids. But at 40 - and I know it's kind of silly telling you guys this - but as long as my Metacritic rating stays above 80, that's all I care about.
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I feel like the downfall of any person is the second an artist starts celebrating their work themselves, that becomes problematic.
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I hate holidays because it's the quietest it's the most deafening sound in my apartment.
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My life's goal is to find a happy medium for sampling to be not only legal but for the right parties to benefit from it. There have to be sampling laws. The survival of hiphop is based on that.
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I hear a lot of cries of socialism and certainly real disguises of Why should I share my money with these people? We have to get back to we. It's important to get back to we not just I.
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I don't think crack happened by accident. I'm part conspiracy theorist, because you can't develop something that dangerous and have it not be planned.
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