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For anyone that's ever had a musical breakthrough in their career, it's always followed by the departure period right after.
Questlove
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Questlove
Age: 53
Born: 1971
Born: January 20
Actor
Composer
Disc Jockey
Drummer
Film Director
Musician
Record Producer
Philadelphia
Pennsylvania
?uestlove
Ahmir Thompson
Right
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Always
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Musical
Periods
Career
Careers
Anyone
Departure
Ever
Breakthrough
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Switching off perfection switched on the human quality
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I hate holidays because it's the quietest it's the most deafening sound in my apartment.
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When you first start off, you see what other people have and quietly say, I want that.
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It's easy for me to say, Oh yeah, that's the self-saboteur move that most artists pull whenever they're afraid.
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Hip-hop is an instant gratification, winners and losers circle, and often those who are losing give up after three or four, five years.
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I love traveling the States no matter what. I love traveling abroad, going to Japan and Australia. I love it. I never get tired of it.
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I don't think crack happened by accident. I'm part conspiracy theorist, because you can't develop something that dangerous and have it not be planned.
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It's funny, I can see the science in how music is made with other artists, but it's hard for me to dissect my own thing.
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I hate videos. I'm meticulous on everything from cover art, fonts, productions, mixing. But when it comes to videos, I just feel so defeated.
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Jay-Z is a dude that can give you a hundred 'Simpsons' quotes, like, 'What you know about the monorail?'
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Classical music requires an immense amount of concentration, and I don't know if I would've been that committed to that particular life.
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Working with the artist elite can be like banging your head against the wall.
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At 25, my idea of success may have been more vain, like, I'll be good the day that there's $20 million in my account and I have this particular house and the wife and 2.5 kids. But at 40 - and I know it's kind of silly telling you guys this - but as long as my Metacritic rating stays above 80, that's all I care about.
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Every time a new record started, people exhaled with pleasure, or their bodies moved automatically. I really started getting high off of the euphoric exclamations. Every record I put on was like a baptism.
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At the end of the day, I don't release any records that I'm not proud to put my name on. I never got to that point.
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I really appreciate when people use their fame and their voice for more than just self-promotion, starting a dialogue about a topic or an issue much bigger than themselves.
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There's no such thing as success on an isolated level.
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My parents were really strict about me not watching cartoons.
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Kurt Cobain represents a very legit, realistic outlook. Before that, in my head, to be a white artist was to be privileged.
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