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I mean, of course King Kong is a metaphor for the slave trade. I'm not saying the makers of King Kong meant it to be that way, but that's what, that's the movie that they made - whether they meant to make it or not.

Quentin Tarantino

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Quentin Tarantino
Age: 61
Born: 1963
Born: March 27
Actor
Director
Film Actor
Film Director
Film Editor
Film Producer
Screenwriter
Television Actor
Writer
Knoxville
Tennessee
Tarantino
Quentin Jerome Tarantino
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King
Whether
Slave
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Meant
Made
Kings
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Kong
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More quotes by Quentin Tarantino

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I want to risk hitting my head on the ceiling of my talent. I want to really test it out and say: O.K., you're not that good. You just reached the level here. I don't ever want to fail, but I want to risk failure every time out of the gate.
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I didnt go to film school, i went to films
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I loved history because to me, history was like watching a movie.
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Sergio Leone was a big influence on me because of the spaghetti westerns.
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If I wasn't a film-maker, I'd be a film critic. It's the only thing I'd be qualified to do.
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I definitely have some colleagues that I respect, and we get together from time to time. But I actually have just like genuine friends. Paul Thomas Anderson is a genuine friend. Robert Rodriguez is a genuine friend. Rick Richard Linklater is a genuine friend. Eli Roth is a genuine friend. And so is Edgar Wright.
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If I'm doing my job right, then I'm not writing the dialogue the characters are saying the dialogue, and I'm just jotting it down.
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When I'm writing something, I try not to get analytical about it as I'm doing it, as I'm writing it.
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There are a lot of bad screenplays so if you write a good screenplay people are going to respond to it.
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ou know, if you want to see jackbooting Nazis in movies, you've got to watch American movies made at that time.
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When I went to do my big audition with actors for Mr. Blonde, the thing that was very interesting was the first person to actually do the audition with the song, and they kind of actually acted out the whole scene, they weren't so great. It wasn't that they were magnificent, but the song, it was the first -it was all - been in my head.
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I don't think there's anything to be afraid of. Failure brings great rewards - in the life of an artist.
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I always do an all-night horror marathon on Saturdays where we start at seven and go until five in the morning.
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When it came to a lot of these German actors with the English, they just couldn't do it. They couldn't get the poetry out of it. They couldn't own it and make it their own. And then Christoph [Waltz] came in, and I didn't know who Christoph was.
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I don't really consider myself an American filmmaker like, say, Ron Howard might be considered an American filmmaker. If I'm doing something and it seems to me to be reminiscent of an Italian giallo, I'm gonna to do it like an Italian giallo.
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As the acting class was going on, I just realized I just knew more about cinema than the other people in the class. I cared about cinema and they cared about themselves. But two, was actually at a certain point I just realized that I love movies too much to simply appear in them. I wanted the movies to be my movies.
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I didn't want my script to get too out of control like that. So I actually made it a point not to do stuff like that, to pretty - to keep it more sparse than it's been in the last few years, or the last decade.
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I like my song-sequences in my movies, but one of the things I like about them, is I get in and I get out.
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I definitely have some colleagues that I respect, and we get together from time to time. But I actually have just like genuine friends.
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If you love cinema as much as I do, and not many people do, and if you are focused and actually have something to offer, you will get somewhere with it.
Quentin Tarantino