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Spaghetti Westerns are really brutal and operatic with a surreal quality to the violence.

Quentin Tarantino

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Quentin Tarantino
Age: 61
Born: 1963
Born: March 27
Actor
Director
Film Actor
Film Director
Film Editor
Film Producer
Screenwriter
Television Actor
Writer
Knoxville
Tennessee
Tarantino
Quentin Jerome Tarantino
Violence
Quality
Really
Operatic
Westerns
Spaghetti
Surreal
Brutal

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I'm not a huge big fan of music video.
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You're an actor, you want to do a scene in class. But one of the things I've always had is I've always had a really good memory. So I would go and watch a movie and then I would see a scene in the movie and I go, hey I'd like to do that in class this Wednesday.
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One of the things about writing a novel is you can do it any way you want. It's your voice that's important and I see absolutely no reason why a screenplay can't be the same. It makes it a hell of a lot easier when you're the writer and the director.
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If you're trying to drop ten pages from a screenplay, it hurts like hell, but if you just put it away for a month and then take it out, you can do it just like that!
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I don't really consider myself an American filmmaker like, say, Ron Howard might be considered an American filmmaker. If I'm doing something and it seems to me to be reminiscent of an Italian giallo, I'm gonna to do it like an Italian giallo.
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Just because you are a character doesn't mean you have character.
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... Revenge, ... All of a sudden, revenge started brewing in the back of their minds.
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If I'm on an airplane, a Kate Hudson movie is what I'm looking for. I'll sit there and I'll cry. I think it's the altitude or something like that.
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I like my song-sequences in my movies, but one of the things I like about them, is I get in and I get out.
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If my answers frighten you then you should cease asking scary questions.
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I'm very happy with the way I write. I think I do it good. But I've never really considered myself a writer.
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Emotion will always win over coolness and cleverness. It's when a scene works emotionally and it's cool and clever, then it's great. That's what you want.
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I always wanted to do a movie that deals with America's horrific past with slavery, but the way I wanted to deal with it is - as opposed to doing it as a huge historical movie with a capital H - I thought it could be better if it was wrapped up in genre.
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I just don't feel the whole white guilt and pussy-footing around race issues. I'm completely above all that. I've never worried about what anyone might think of me 'cause I've always believed that the true of heart recognize the true of heart.
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By the time I was doing Kill Bill, it was so much filled with prose that, you know, I start seeing why people write a screenplay and make it more like a blueprint, because basically I had written - in Kill Bill, I had basically written a novel, and basically every day I was adapting my novel to the screen on the fly, you know, on my feet.
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If a Million People See My Movie, I Hope They See a Million Different Movies.
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You get to be analytical about the process and now I can watch the movie and see all the different connection things and see all the things that are underneath the surface.
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It's very important that every movie I do makes money because I want the people that had the faith in me to get their money back.
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But can I tell the genuine-article Italian from the poseur Italian? No. To me they all seem like poseurs.
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I look at 'Death Proof' and realize I had too much time.
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