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Spaghetti Westerns are really brutal and operatic with a surreal quality to the violence.

Quentin Tarantino

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Quentin Tarantino
Age: 61
Born: 1963
Born: March 27
Actor
Director
Film Actor
Film Director
Film Editor
Film Producer
Screenwriter
Television Actor
Writer
Knoxville
Tennessee
Tarantino
Quentin Jerome Tarantino
Spaghetti
Surreal
Brutal
Violence
Quality
Really
Operatic
Westerns

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He musta thought it was white boy day. It ain't white boy day, is it?
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Novelists have always had complete freedom to pretty much tell their story any way they saw fit. And that's what I'm trying to do.
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To me, America is just another market.
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You get to be analytical about the process and now I can watch the movie and see all the different connection things and see all the things that are underneath the surface.
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Leni Riefenstahl was the one person Goebbels had no control over in the filmmaking community of Nazi Germany, and they despised each other. But because she was Hitler's favorite, she could do what she wanted. She was the only filmmaker that did not have to cow down to Joseph Goebbels.
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It's a standard staple in Japanese cinema to cut somebody's arm off and have red water hoses for veins, spraying blood everywhere.
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Sergio Leone was a big influence on me because of the spaghetti westerns.
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My writing's like a journey. I'll know some of the stops ahead of time, and I'll make some of those stops and some of them I won't. Some will be a moot point by the time I get there. You know every script will have four to six basic scenes that you're going to do. It's all the scenes where your characters really come from.
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When I was on The View, Barbara Walters was asking me about the blood and stuff, and I said, 'Well, you know, that's a staple of Japanese cinema.' And then she came back, 'But this is America.' And I go, 'I don't make movies for America. I make movies for planet Earth.'
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If the film is nominated for awards, and even if it wins them, it doesn't make the movie any better, just as if it's ignored that doesn't make the movie any worse.
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Movies are not about the weekend that they're released, and in the grand scheme of things, that's probably the most unimportant time of a film's life.
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And when I first started writing, it was literally in acting classes. And what would happen is now it's really easy to get scripts and stuff but back then, you know, oftentimes you'd buy the novelization to a movie if you wanted to get an idea of what the scene, you know what happened in the scene.
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One of the songs that stayed in my head that I really considered a lot was an old folk song called 'John Brown' - not the abolitionist John Brown, but the one that Bob Dylan has covered and sung before. It's about a boy coming home from the Civil War, or maybe World War I even, and about his Mother seeing him all destroyed.
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I'm very happy with the way I write. I think I do it good. But I've never really considered myself a writer.
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I don’t want to be an old-man filmmaker, making old-man movies, and I don’t want to be the one not to know when to leave the party.
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I steal from every movie ever made.
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To me, torture would be watching sports on television.
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I'm not a huge big fan of music video.
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It's very important that every movie I do makes money because I want the people that had the faith in me to get their money back.
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Pigs are filthy animals. I don't eat filthy animals.
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