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I always knew I wanted to do a Western. And trying to think of what that would be, I always figured that if I did a Western, it would have a lot of the aesthetics of Spaghetti Westerns, because I really like them.

Quentin Tarantino

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Quentin Tarantino
Age: 61
Born: 1963
Born: March 27
Actor
Director
Film Actor
Film Director
Film Editor
Film Producer
Screenwriter
Television Actor
Writer
Knoxville
Tennessee
Tarantino
Quentin Jerome Tarantino
Wanted
Trying
Really
Westerns
Always
Spaghetti
Would
Aesthetics
Think
Figured
Thinking
Western
Like
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I definitely have some colleagues that I respect, and we get together from time to time. But I actually have just like genuine friends. Paul Thomas Anderson is a genuine friend. Robert Rodriguez is a genuine friend. Rick Richard Linklater is a genuine friend. Eli Roth is a genuine friend. And so is Edgar Wright.
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I try not to get analytical in the writing process. I try to just kind of keep the flow from my brain to my hand as far as the pen is concerned and go with the moment and go with my guts.
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I don't really consider myself an American filmmaker like, say, Ron Howard might be considered an American filmmaker. If I'm doing something and it seems to me to be reminiscent of an Italian giallo, I'm gonna to do it like an Italian giallo.
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I don't believe in putting in music as a band aid to get you over some rough parts or bad film making. If it's there it's got to add to it or take it to another level.
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The film [Django] really has a lot of ups and downs, and taps into a lot of different emotions. To me, the trick was balancing all those emotions, so that I could get you where I wanted you to be by the very end. I wanted the audience cheering in triumph at the end.
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You get to be analytical about the process and now I can watch the movie and see all the different connection things and see all the things that are underneath the surface.
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I just don't feel the whole white guilt and pussy-footing around race issues. I'm completely above all that. I've never worried about what anyone might think of me 'cause I've always believed that the true of heart recognize the true of heart.
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I mean, of course King Kong is a metaphor for the slave trade. I'm not saying the makers of King Kong meant it to be that way, but that's what, that's the movie that they made - whether they meant to make it or not.
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If a Million People See My Movie, I Hope They See a Million Different Movies.
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If I'm doing my job right, then I'm not writing the dialogue the characters are saying the dialogue, and I'm just jotting it down.
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I'm a big collector of vinyl - I have a record room in my house - and I've always had a huge soundtrack album collection. So what I do, as I'm writing a movie, is go through all those songs, trying to find good songs for fights, or good pieces of music to layer into the film.
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I write movies about mavericks, about people who break rules, and I don't like movies about people who are pulverised for being mavericks.
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To me, Godard did to movies what Bob Dylan did to music: they both revolutionized their forms.
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Pigs are filthy animals. I don't eat filthy animals.
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If you love cinema as much as I do, and not many people do, and if you are focused and actually have something to offer, you will get somewhere with it.
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You don't have to know how to make a movie. If you truly love cinema with all your heart and with enough passion, you can't help but make a good movie.
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I don’t want to be an old-man filmmaker, making old-man movies, and I don’t want to be the one not to know when to leave the party.
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I don't think Pulp Fiction is hard to watch at all.
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I have loved movies as the number one thing in my life so long that I can't ever remember a time when I didn't.
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As the acting class was going on, I just realized I just knew more about cinema than the other people in the class. I cared about cinema and they cared about themselves. But two, was actually at a certain point I just realized that I love movies too much to simply appear in them. I wanted the movies to be my movies.
Quentin Tarantino