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There is no other genre that deals with America better, in a subtextual way, than the Westerns being made in the different decades. The '50s Westerns very much put forth an Eisenhower idea of America, whereas the Westerns of the '70s were very cynical about America.

Quentin Tarantino

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Quentin Tarantino
Age: 61
Born: 1963
Born: March 27
Actor
Director
Film Actor
Film Director
Film Editor
Film Producer
Screenwriter
Television Actor
Writer
Knoxville
Tennessee
Tarantino
Quentin Jerome Tarantino
Idea
Eisenhower
America
Westerns
Ideas
Cynical
Better
Whereas
Different
Genre
Much
Forth
Made
Decades
Way
Deals

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Suddenly, Westerns, which were our action films and what the working man went to see to blow off steam and have a good time, became boring to most people growing up from the Eighties on, because they're kind of pastoral.
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Dogs got personality. Personality goes a long way.
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And when I first started writing, it was literally in acting classes. And what would happen is now it's really easy to get scripts and stuff but back then, you know, oftentimes you'd buy the novelization to a movie if you wanted to get an idea of what the scene, you know what happened in the scene.
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Sometimes things need to get really bad before they can ever get better. Really bad can become untenable if enough people get sick of it. That was a big thing about why I ended up taking part in that rally [against police brutality] and ended up voicing my opinion and declaring what side I was standing on.
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I felt no obligation to bow to any 21st Century political correctness. What I did feel an obligation to do was to take the 21stCentury viewers and physically transport them back to the ante bellum South in 1858, in Mississippi, and have them look at America for what it was back then. And I wanted it to be shocking.
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I write movies about mavericks, about people who break rules, and I don't like movies about people who are pulverised for being mavericks.
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If you're trying to drop ten pages from a screenplay, it hurts like hell, but if you just put it away for a month and then take it out, you can do it just like that!
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I was just this video-store guy and now I was actually making movies and stuff.
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I was trying to do like a spaghetti western but using World War II iconography.
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I'm basically like, you know, learned pretty quickly the guy who throws the first punch usually wins, so when people gave me a hard time I just punched them.
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You get to be analytical about the process and now I can watch the movie and see all the different connection things and see all the things that are underneath the surface.
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Violence is fun, man.
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If there is something magic about the collaborations I have with actors it's because I put the character first.
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Emotion will always win over coolness and cleverness. It's when a scene works emotionally and it's cool and clever, then it's great. That's what you want.
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You don't have to know how to make a movie. If you truly love cinema with all your heart and with enough passion, you can't help but make a good movie.
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If I'm on an airplane, a Kate Hudson movie is what I'm looking for. I'll sit there and I'll cry. I think it's the altitude or something like that.
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I like it when somebody tells me a story, and I actually really feel that that's becoming like a lost art in American cinema.
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One of the songs that stayed in my head that I really considered a lot was an old folk song called 'John Brown' - not the abolitionist John Brown, but the one that Bob Dylan has covered and sung before. It's about a boy coming home from the Civil War, or maybe World War I even, and about his Mother seeing him all destroyed.
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