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There is no other genre that deals with America better, in a subtextual way, than the Westerns being made in the different decades. The '50s Westerns very much put forth an Eisenhower idea of America, whereas the Westerns of the '70s were very cynical about America.

Quentin Tarantino

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Quentin Tarantino
Age: 61
Born: 1963
Born: March 27
Actor
Director
Film Actor
Film Director
Film Editor
Film Producer
Screenwriter
Television Actor
Writer
Knoxville
Tennessee
Tarantino
Quentin Jerome Tarantino
Ideas
Cynical
Better
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Different
Genre
Much
Forth
Made
Decades
Way
Deals
Idea
Eisenhower
America
Westerns

More quotes by Quentin Tarantino

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I surprised myself, that I was in the tissue of the character enough, that I could actually come up with something that I didn't actually feel or didn't believe.
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You always have to be keeping track, especially in this scenario [ The Hateful Eight], of where everybody is. They're pieces on a chess board.
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I always wanted to do a movie that deals with America's horrific past with slavery, but the way I wanted to deal with it is - as opposed to doing it as a huge historical movie with a capital H - I thought it could be better if it was wrapped up in genre.
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Sometimes things need to get really bad before they can ever get better. Really bad can become untenable if enough people get sick of it. That was a big thing about why I ended up taking part in that rally [against police brutality] and ended up voicing my opinion and declaring what side I was standing on.
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If the film is nominated for awards, and even if it wins them, it doesn't make the movie any better, just as if it's ignored that doesn't make the movie any worse.
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Spaghetti Westerns are really brutal and operatic with a surreal quality to the violence.
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I am not going to tell you how I believe, but I do believe in God.
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I don't believe in putting in music as a band aid to get you over some rough parts or bad film making. If it's there it's got to add to it or take it to another level.
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I hate The Confederate cause. I've always felt that they are our Nazis and the rebel flag was our swastika.
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There are a lot of bad screenplays so if you write a good screenplay people are going to respond to it.
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To me, Godard did to movies what Bob Dylan did to music: they both revolutionized their forms.
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Reservoir Dogs is a small film, and part of its charm was that it was a small film. I'd probably make it for $3 million now so I'd have more breathing room.
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By the time I was doing Kill Bill, it was so much filled with prose that, you know, I start seeing why people write a screenplay and make it more like a blueprint, because basically I had written - in Kill Bill, I had basically written a novel, and basically every day I was adapting my novel to the screen on the fly, you know, on my feet.
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Emotion will always win over coolness and cleverness. It's when a scene works emotionally and it's cool and clever, then it's great. That's what you want.
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I'm a big collector of vinyl - I have a record room in my house - and I've always had a huge soundtrack album collection. So what I do, as I'm writing a movie, is go through all those songs, trying to find good songs for fights, or good pieces of music to layer into the film.
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What I would do is I would just remember the scene and I'd go home and I'd write out the scene from memory. And anything I didn't remember I would just fill in the blanks myself and then go and give it to a classmate and then we'd do it.
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I like it when somebody tells me a story, and I actually really feel that that's becoming like a lost art in American cinema.
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You don't have to know how to make a movie. If you truly love cinema with all your heart and with enough passion, you can't help but make a good movie.
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When it came to a lot of these German actors with the English, they just couldn't do it. They couldn't get the poetry out of it. They couldn't own it and make it their own. And then Christoph [Waltz] came in, and I didn't know who Christoph was.
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