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Reservoir Dogs is a small film, and part of its charm was that it was a small film. I'd probably make it for $3 million now so I'd have more breathing room.

Quentin Tarantino

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Quentin Tarantino
Age: 61
Born: 1963
Born: March 27
Actor
Director
Film Actor
Film Director
Film Editor
Film Producer
Screenwriter
Television Actor
Writer
Knoxville
Tennessee
Tarantino
Quentin Jerome Tarantino
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Million
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Room
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When I'm writing something, I try not to get analytical about it as I'm doing it, as I'm writing it.
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To me, movies and music go hand in hand. When I'm writing a script, one of the first things I do is find the music I'm going to play for the opening sequence.
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Spaghetti Westerns are really brutal and operatic with a surreal quality to the violence.
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When it came to a lot of these German actors with the English, they just couldn't do it. They couldn't get the poetry out of it. They couldn't own it and make it their own. And then Christoph [Waltz] came in, and I didn't know who Christoph was.
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The next movie will be in Mandarin. I enjoyed shooting all the Japanese stuff in Kill Bill so much that this whole film will be entirely in Mandarin.
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I always thought it was a B.S. thing that they didn't show it [scalping] in other Westerns, but especially if you're going to really go with the idea that we're desecrating the bodies, and the idea is to strike fear in the hearts of other German soldiers, then we had to see what they're talking about.
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I cannot get myself interested in video games. I've been given video game players and they just sit there connected to my TVs gathering dust until eventually I unplug them so I can put in another special-region DVD player.
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If my answers frighten you then you should cease asking scary questions.
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I'm a big collector of vinyl - I have a record room in my house - and I've always had a huge soundtrack album collection. So what I do, as I'm writing a movie, is go through all those songs, trying to find good songs for fights, or good pieces of music to layer into the film.
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Leni Riefenstahl was the one person Goebbels had no control over in the filmmaking community of Nazi Germany, and they despised each other. But because she was Hitler's favorite, she could do what she wanted. She was the only filmmaker that did not have to cow down to Joseph Goebbels.
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To me, Godard did to movies what Bob Dylan did to music: they both revolutionized their forms.
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To me King Kong is a metaphor for America's fear of the black male. And to me that's obvious. All right? So I mean that was one of the first things I said when I was talking to a friend of mine after he saw Peter Jackson's version of King Kong.
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One can be inclined to just say, F this political correctness! I don't have time for that!
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I don't have any bone to pick with critics. In fact, if I wasn't a filmmaker I would probably be a film critic. Most of my bone is I would be a better film critic than most of the film critics I read.
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If I'm doing my job right, then I'm not writing the dialogue the characters are saying the dialogue, and I'm just jotting it down.
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To really get to know people and discover humanity, which is what I truly think writers and actors do, you've got to be interested in other human beings, you have to be interested in humanity in general, and you have to do some discovering of humanity and different people.
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I like a much more Japanese style of blood, where it's red and it almost has a paint kind of quality to it. You can put it on metal, and it has this vividness. Because, normally, what they use in Hollywood is this stuff that looks like strawberry pancake syrup or raspberry pancake syrup.
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If I've made it a little easier for artists to work in violence, great! I've accomplished something.
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And I will strike down upon thee with great vengeance and furious anger those who attempt to poison and destroy my brothers. And you will know my name is the Lord when I lay my fingers upon thee!
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I don’t want to be an old-man filmmaker, making old-man movies, and I don’t want to be the one not to know when to leave the party.
Quentin Tarantino