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It's a standard staple in Japanese cinema to cut somebody's arm off and have red water hoses for veins, spraying blood everywhere.

Quentin Tarantino

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Quentin Tarantino
Age: 61
Born: 1963
Born: March 27
Actor
Director
Film Actor
Film Director
Film Editor
Film Producer
Screenwriter
Television Actor
Writer
Knoxville
Tennessee
Tarantino
Quentin Jerome Tarantino
Hands
Red
Spraying
Everywhere
Hoses
Standards
Staple
Cutting
Staples
Arms
Veins
Somebody
Japanese
Blood
Standard
Water
Cinema

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But can I tell the genuine-article Italian from the poseur Italian? No. To me they all seem like poseurs.
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To call Clive Barker a 'horror novelist' would be like calling the Beatles a 'garage band'... He is the great imaginer of our time. He knows not only our greatest fears, but also what delights us, what turns us on, and what is truly holy in the world. Haunting, bizarre, beautiful.
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Sure, Kill Bill is a violent movie. But it's a Tarantino movie. You don't go to see Metallica and ask the fuckers to turn the music down.
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I am not going to tell you how I believe, but I do believe in God.
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Spaghetti Westerns are really brutal and operatic with a surreal quality to the violence.
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There are a lot of bad screenplays so if you write a good screenplay people are going to respond to it.
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One of the songs that stayed in my head that I really considered a lot was an old folk song called 'John Brown' - not the abolitionist John Brown, but the one that Bob Dylan has covered and sung before. It's about a boy coming home from the Civil War, or maybe World War I even, and about his Mother seeing him all destroyed.
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If my answers frighten you then you should cease asking scary questions.
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When I was on The View, Barbara Walters was asking me about the blood and stuff, and I said, 'Well, you know, that's a staple of Japanese cinema.' And then she came back, 'But this is America.' And I go, 'I don't make movies for America. I make movies for planet Earth.'
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I always wanted to do a movie that deals with America's horrific past with slavery, but the way I wanted to deal with it is - as opposed to doing it as a huge historical movie with a capital H - I thought it could be better if it was wrapped up in genre.
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What if a kid goes to school after seeing Kill Bill and starts slicing up other kids? You know, I'll take that chance! Violent films don't turn children into violent people. They may turn them into violent filmmakers but that's another matter altogether.
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I was trying to do like a spaghetti western but using World War II iconography.
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Movies are not about the weekend that they're released, and in the grand scheme of things, that's probably the most unimportant time of a film's life.
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If there is something magic about the collaborations I have with actors it's because I put the character first.
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You get to be analytical about the process and now I can watch the movie and see all the different connection things and see all the things that are underneath the surface.
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I surprised myself, that I was in the tissue of the character enough, that I could actually come up with something that I didn't actually feel or didn't believe.
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To really get to know people and discover humanity, which is what I truly think writers and actors do, you've got to be interested in other human beings, you have to be interested in humanity in general, and you have to do some discovering of humanity and different people.
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I was just this video-store guy and now I was actually making movies and stuff.
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Well, it's funny because, The Green Leaves of Summer and The Alamo theme are the same thing. There's just - the Brothers Four was a different recording of it.
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I don't believe in elitism. I don't think the audience is this dumb person lower than me. I am the audience.
Quentin Tarantino