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I feel that Nagai Kafu was a writer who cold stitch together apparently meaningless moments like these into a lyrical whole, and has enhanced my ability to do the same with my own life.
Quentin S. Crisp
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Quentin S. Crisp
Age: 52
Born: 1972
Born: January 1
Writer
Devonshire
Feel
Apparently
Feels
Meaningless
Life
Writer
Like
Cold
Ability
Stitch
Moments
Stitches
Together
Enhanced
Whole
Lyrical
More quotes by Quentin S. Crisp
I grew up with tarot cards and the reading of tea leaves.
Quentin S. Crisp
I think the natural is, for many people, the gateway to something supernatural or otherworldly.
Quentin S. Crisp
When I think back on it, I have a sense of relaxation, as if in the seventies no one had to try to be anyone other than who they were. I'm sure that's not really true, but that's how I remember it, and I suppose it might be relatively true.
Quentin S. Crisp
My muse can take the form of a landscape, an era, a style of writing, a piece of music, and, perhaps that which I find strangest of all for a muse, a human female. Of course, she's also adept at taking the form of toothless old Japanese men or young English lads with tattoos.
Quentin S. Crisp
The weird thing is, I'm not entirely sure that I am meant to think that such a gift is who I am according to the philosophy underlying Vedanta. But I have long been stubborn like that, for some reason. It's a gift, as I say.
Quentin S. Crisp
I'm not an expert here. I'm talking about an experience I had rather than something I intellectually worked out. From what I can gather, the original mystery religions are still, largely, as the name suggests, mysterious. But they are associated with intoxication, fertility and resurrection.
Quentin S. Crisp
The urban, on the other hand, is often seen as more real and mundane, even though it is obviously far more recent in terms of planetary development. I think this might be because nature corresponds to the unconscious and the artificial world of the city and human culture to the conscious mind.
Quentin S. Crisp
1977 was also, of course, the year that Derek Jarman made his iconoclastic film Jubilee, which was so much part of the punk movement.
Quentin S. Crisp
People often refer to a creative ability as a 'gift', and, of course, it is, in that, if I had sat down and logically tried to work out who I was and what I should do, I would never have come up with the idea of writing. It was already there, gratis, a given - a gift.
Quentin S. Crisp
[Antinatalism ] seems to oppose the idea of writing anything at all. To reproduce is to pass on genes. To write is to pass on memes. In that sense, it really is a kind of reproduction, which antinatalism should, theoretically, oppose, or at least which I feel that it opposes emotionally in my own experience.
Quentin S. Crisp
This is the strange thing about existing in time. As [Philip] Larkin puts it, truly, though our element is time, we are not used to the strange perspectives open at each moment of our lives - something like that.
Quentin S. Crisp
I like the concept of an anti-muse, though I'm not quite sure what that is. If there is such a thing in my life, I suppose it is just this weariness, this sense that it is more fulfilling not to exist, to efface all traces, than to limit oneself to the determined expression of manifestation.
Quentin S. Crisp
Apart from the underlying mystery of all things, there is also another possible specific mystery in this situation: Why did I become so interested in Buddhism, Zen and so on? I seem to have a Buddhist voice in my head, and someone asked me about this recently, saying he was intrigued.
Quentin S. Crisp
Zen, on the other hand, is not so dogmatically sterile, though there are certainly traces and more than traces of this austerity. However, with Zen we have not only the void, but the fertile void. The ink lines in a sumi-e painting show this fertility of the void ever ready to brim over into existence.
Quentin S. Crisp
I don't know if Britain ever really achieved that much glamour. We had post-war austerity rather than post-war prosperity, and our cultural products of the time include some pretty dour kitchen-sink dramas of the A Kind of Loving variety. (This kind of film seems disillusioned with the sixties before they've even really begun.)
Quentin S. Crisp
You focus on the here and now in order to escape existence forever and vanish into Nirvana. There is another religious impulse that is the opposite of this. It uses a world elsewhere in order to affirm life and give a reason to go forth and multiply.
Quentin S. Crisp
I seemed to recall some words from an old Zen master, something like, My Zen cuts down mountains. My rejection of Buddhism was a cutting down of mountains that is precisely how it felt to me.
Quentin S. Crisp
In the meditation, of course, the question is repeated and repeated until you run out of answers - or so I hear.
Quentin S. Crisp
As children in the seventies we were told about nebulous 'strangers'. By definition, we didn't know who these strangers were, and we didn't know what they wanted to do, but only that they were sinister. I think that was the stage the seventies were at.
Quentin S. Crisp
Some Buddhists, however, never seem to get past the void, and I suppose I view this as a kind of Buddhist 'Old Testament' that I don't especially like.
Quentin S. Crisp
