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It would be hard to say that exactly, but antinatalism is a reality in my life, not just an interesting idea. I can feel it in the chilled and weary marrow of my bones.
Quentin S. Crisp
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Quentin S. Crisp
Age: 53
Born: 1972
Born: January 1
Writer
Devonshire
Hard
Marrow
Feel
Weary
Bones
Feels
Exactly
Would
Interesting
Life
Idea
Reality
Ideas
Chilled
More quotes by Quentin S. Crisp
I understand that words can mean different things to different people, and, further, that people can have different relationships with complex abstract entities such as Buddhism. To me, anyway, the entity in my life that conflicts with my creativity is Buddhism.
Quentin S. Crisp
It's true that Eastern philosophy and religion were not unknown to me as a child, since my father has explored much in that area, and written books more or less in that area, too.
Quentin S. Crisp
People often refer to a creative ability as a 'gift', and, of course, it is, in that, if I had sat down and logically tried to work out who I was and what I should do, I would never have come up with the idea of writing. It was already there, gratis, a given - a gift.
Quentin S. Crisp
Zen is influenced by Daoism, which is not so much a nature-religion in the animistic sense as a nature-philosophy in a cosmic sense.
Quentin S. Crisp
I have a sense of them being Easter religions, for some reason. Christianity, of course, is a mystery religion, too, and I believe that Arthur Machen was one of those especially interested in the link between the pagan mysteries and the Christian ones. So, my experience was also a Machenesque experience.
Quentin S. Crisp
You focus on the here and now in order to escape existence forever and vanish into Nirvana. There is another religious impulse that is the opposite of this. It uses a world elsewhere in order to affirm life and give a reason to go forth and multiply.
Quentin S. Crisp
Zen, on the other hand, is not so dogmatically sterile, though there are certainly traces and more than traces of this austerity. However, with Zen we have not only the void, but the fertile void. The ink lines in a sumi-e painting show this fertility of the void ever ready to brim over into existence.
Quentin S. Crisp
[Someone] said that what I described as the Buddhist voice - the life-denying voice of censure and guilt - sounded to him very much like a Catholic voice. This is, indeed, a mystery, and it intrigues me, too.
Quentin S. Crisp
I like the concept of an anti-muse, though I'm not quite sure what that is. If there is such a thing in my life, I suppose it is just this weariness, this sense that it is more fulfilling not to exist, to efface all traces, than to limit oneself to the determined expression of manifestation.
Quentin S. Crisp
She [me muse] feels most at home in autumn, nonetheless, she is glad of the other seasons and loves them all. Without the others she would be unable to feel most at home in autumn, besides which, she almost feels most at home in all of them.
Quentin S. Crisp
There's a possible qualification I can make here about a non-pantheist god that is in some way tenable, and that is the idea of a god that has in some way discharged the universe from its own substance (I associate this with the word 'tzimtzum'), possibly even by a form of suicide - a suicide that might have been the Big Bang.
Quentin S. Crisp
I feel like the seventies was a decade where things ran out, and where other things set in. There was just a lurking graininess and seediness about the decade, a slight grogginess of the hangover from the sixties.
Quentin S. Crisp
My muse can take the form of a landscape, an era, a style of writing, a piece of music, and, perhaps that which I find strangest of all for a muse, a human female. Of course, she's also adept at taking the form of toothless old Japanese men or young English lads with tattoos.
Quentin S. Crisp
The imagination is fertile. From seeds of the imagination, much is made manifest.
Quentin S. Crisp
Lots of things were there [in the seventies], in the social experience, but not quite named, lurking like a stranger on the edge of the playground.
Quentin S. Crisp
I associate my childhood with two things, mainly: the North Devon countryside and a sense of connection to another world.
Quentin S. Crisp
I went for a walk in the rain. Recently, whenever it rains, I feel like I want to go for a walk.
Quentin S. Crisp
I don't know if Britain ever really achieved that much glamour. We had post-war austerity rather than post-war prosperity, and our cultural products of the time include some pretty dour kitchen-sink dramas of the A Kind of Loving variety. (This kind of film seems disillusioned with the sixties before they've even really begun.)
Quentin S. Crisp
We all know about the car breaking down on a deserted road scenario. That's cliché. I'm thinking more of Cider with Rosie, as in, the dark side.
Quentin S. Crisp
I really think [William] Burroughs was onto something here, when he said, Dreams are a biologic necessity and your lifeline into space.
Quentin S. Crisp
