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[william] Burroughs, incidentally, took up the slogan that we are Here to go, which contradicts the tendency in Eastern mysticism to advocate staying where you are because there's nowhere to go anyway. I feel conflicted on this one.
Quentin S. Crisp
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Quentin S. Crisp
Age: 52
Born: 1972
Born: January 1
Writer
Devonshire
Took
William
Feel
Mysticism
Burroughs
Feels
Eastern
Conflicted
Tendency
Contradicts
Nowhere
Incidentally
Tendencies
Slogan
Staying
Slogans
Anyway
Advocate
More quotes by Quentin S. Crisp
The imagination is fertile. From seeds of the imagination, much is made manifest.
Quentin S. Crisp
It's true that Eastern philosophy and religion were not unknown to me as a child, since my father has explored much in that area, and written books more or less in that area, too.
Quentin S. Crisp
I seem to be less depressed but also less hopeful now in my thirties. My widow's peak bothers me. I think a lot about the end of the human race. And so on.
Quentin S. Crisp
The quality of that 'who I am', is what I hope comes out in the writing.
Quentin S. Crisp
The weird thing is, I'm not entirely sure that I am meant to think that such a gift is who I am according to the philosophy underlying Vedanta. But I have long been stubborn like that, for some reason. It's a gift, as I say.
Quentin S. Crisp
Apart from the underlying mystery of all things, there is also another possible specific mystery in this situation: Why did I become so interested in Buddhism, Zen and so on? I seem to have a Buddhist voice in my head, and someone asked me about this recently, saying he was intrigued.
Quentin S. Crisp
I have a sense of them being Easter religions, for some reason. Christianity, of course, is a mystery religion, too, and I believe that Arthur Machen was one of those especially interested in the link between the pagan mysteries and the Christian ones. So, my experience was also a Machenesque experience.
Quentin S. Crisp
People often refer to a creative ability as a 'gift', and, of course, it is, in that, if I had sat down and logically tried to work out who I was and what I should do, I would never have come up with the idea of writing. It was already there, gratis, a given - a gift.
Quentin S. Crisp
When we fail to live up to our ideals, for instance, we might begin to wonder who we are - most people are aware of a discrepancy, I think. There are idiosyncrasies and foibles, but we're not sure if these are essential. Some people think they are the most essential things of all.
Quentin S. Crisp
I understand that words can mean different things to different people, and, further, that people can have different relationships with complex abstract entities such as Buddhism. To me, anyway, the entity in my life that conflicts with my creativity is Buddhism.
Quentin S. Crisp
More or less the first thing that comes into my head is that some people are always looking for what they want to do in life and never finding it. I'm not one of those people. It has been very obvious to me from an early age who I am, and this has been tied up with creativity, and, specifically, with writing.
Quentin S. Crisp
Another part of the rejection I mention was the realisation that Buddhism quite simply ignores or dismisses a whole hemisphere of human experience that finds expression in and is enshrined by the mystery religions.
Quentin S. Crisp
If future history is not to be just one damned thing after another in space, then what we really have to do is in some way overcome this linear experience of time that makes all existence a quest for something that will never be found.And philosophies such as Zen seem to hint that this is possible.
Quentin S. Crisp
I'm constantly struggling with the futility and even sinfulness, from an antinatalist point of view, of creativity. And that struggle itself seems part of the creativity, though I sometimes suspect that it's nothing but a burden and an obstacle.
Quentin S. Crisp
I feel that Nagai Kafu was a writer who cold stitch together apparently meaningless moments like these into a lyrical whole, and has enhanced my ability to do the same with my own life.
Quentin S. Crisp
I don't know if Britain ever really achieved that much glamour. We had post-war austerity rather than post-war prosperity, and our cultural products of the time include some pretty dour kitchen-sink dramas of the A Kind of Loving variety. (This kind of film seems disillusioned with the sixties before they've even really begun.)
Quentin S. Crisp
1977 was also, of course, the year that Derek Jarman made his iconoclastic film Jubilee, which was so much part of the punk movement.
Quentin S. Crisp
We're all more or less interested in the 'swinging sixties', of course, but that's not what I mean. I'm interested in the particular naive glamour that clings to the post-war and pre-Hendrix era.
Quentin S. Crisp
The urban, on the other hand, is often seen as more real and mundane, even though it is obviously far more recent in terms of planetary development. I think this might be because nature corresponds to the unconscious and the artificial world of the city and human culture to the conscious mind.
Quentin S. Crisp
Zen, on the other hand, is not so dogmatically sterile, though there are certainly traces and more than traces of this austerity. However, with Zen we have not only the void, but the fertile void. The ink lines in a sumi-e painting show this fertility of the void ever ready to brim over into existence.
Quentin S. Crisp