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There's a strong aspect of Buddhism which is geared towards ending all fertility.

Quentin S. Crisp

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Quentin S. Crisp
Age: 52
Born: 1972
Born: January 1
Writer
Devonshire
Towards
Aspect
Strong
Geared
Fertility
Ending
Buddhism

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I grew up with tarot cards and the reading of tea leaves.
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I've drifted in and out of vegetarianism for years.
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[My muse] is, in fact, a woman of the world, and precisely because of this, hopes that a diversity of cultures will endure, and that one bland monoculture does not swamp everything.
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I have a sense of them being Easter religions, for some reason. Christianity, of course, is a mystery religion, too, and I believe that Arthur Machen was one of those especially interested in the link between the pagan mysteries and the Christian ones. So, my experience was also a Machenesque experience.
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Another part of the rejection I mention was the realisation that Buddhism quite simply ignores or dismisses a whole hemisphere of human experience that finds expression in and is enshrined by the mystery religions.
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I really think [William] Burroughs was onto something here, when he said, Dreams are a biologic necessity and your lifeline into space.
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There's a possible qualification I can make here about a non-pantheist god that is in some way tenable, and that is the idea of a god that has in some way discharged the universe from its own substance (I associate this with the word 'tzimtzum'), possibly even by a form of suicide - a suicide that might have been the Big Bang.
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The imagination is fertile. From seeds of the imagination, much is made manifest.
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People often refer to a creative ability as a 'gift', and, of course, it is, in that, if I had sat down and logically tried to work out who I was and what I should do, I would never have come up with the idea of writing. It was already there, gratis, a given - a gift.
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My muse can take the form of a landscape, an era, a style of writing, a piece of music, and, perhaps that which I find strangest of all for a muse, a human female. Of course, she's also adept at taking the form of toothless old Japanese men or young English lads with tattoos.
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It's true that Eastern philosophy and religion were not unknown to me as a child, since my father has explored much in that area, and written books more or less in that area, too.
Quentin S. Crisp
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Lots of things were there [in the seventies], in the social experience, but not quite named, lurking like a stranger on the edge of the playground.
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[william] Burroughs, incidentally, took up the slogan that we are Here to go, which contradicts the tendency in Eastern mysticism to advocate staying where you are because there's nowhere to go anyway. I feel conflicted on this one.
Quentin S. Crisp
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We all know about the car breaking down on a deserted road scenario. That's cliché. I'm thinking more of Cider with Rosie, as in, the dark side.
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Zen, on the other hand, is not so dogmatically sterile, though there are certainly traces and more than traces of this austerity. However, with Zen we have not only the void, but the fertile void. The ink lines in a sumi-e painting show this fertility of the void ever ready to brim over into existence.
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She [me muse] feels most at home in autumn, nonetheless, she is glad of the other seasons and loves them all. Without the others she would be unable to feel most at home in autumn, besides which, she almost feels most at home in all of them.
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I'm not an expert here. I'm talking about an experience I had rather than something I intellectually worked out. From what I can gather, the original mystery religions are still, largely, as the name suggests, mysterious. But they are associated with intoxication, fertility and resurrection.
Quentin S. Crisp
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I feel that Nagai Kafu was a writer who cold stitch together apparently meaningless moments like these into a lyrical whole, and has enhanced my ability to do the same with my own life.
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As children in the seventies we were told about nebulous 'strangers'. By definition, we didn't know who these strangers were, and we didn't know what they wanted to do, but only that they were sinister. I think that was the stage the seventies were at.
Quentin S. Crisp