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I have a bit of a struggle with some aspects of or forms of Buddhism, but Zen I find to be mainly congenial.

Quentin S. Crisp

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Quentin S. Crisp
Age: 52
Born: 1972
Born: January 1
Writer
Devonshire
Aspect
Struggle
Bits
Form
Congenial
Find
Mainly
Aspects
Buddhism
Forms

More quotes by Quentin S. Crisp

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Zen, on the other hand, is not so dogmatically sterile, though there are certainly traces and more than traces of this austerity. However, with Zen we have not only the void, but the fertile void. The ink lines in a sumi-e painting show this fertility of the void ever ready to brim over into existence.
Quentin S. Crisp
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I feel that Nagai Kafu was a writer who cold stitch together apparently meaningless moments like these into a lyrical whole, and has enhanced my ability to do the same with my own life.
Quentin S. Crisp
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[Antinatalism ] seems to oppose the idea of writing anything at all. To reproduce is to pass on genes. To write is to pass on memes. In that sense, it really is a kind of reproduction, which antinatalism should, theoretically, oppose, or at least which I feel that it opposes emotionally in my own experience.
Quentin S. Crisp
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1977 was also, of course, the year that Derek Jarman made his iconoclastic film Jubilee, which was so much part of the punk movement.
Quentin S. Crisp
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I seem to be less depressed but also less hopeful now in my thirties. My widow's peak bothers me. I think a lot about the end of the human race. And so on.
Quentin S. Crisp
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The peculiar thing is that, in focusing only on the here and now, Buddhism seems to despise the world.
Quentin S. Crisp
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Some Buddhists, however, never seem to get past the void, and I suppose I view this as a kind of Buddhist 'Old Testament' that I don't especially like.
Quentin S. Crisp
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I'm not claiming anything like sainthood - merely a native perception.
Quentin S. Crisp
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Zen is influenced by Daoism, which is not so much a nature-religion in the animistic sense as a nature-philosophy in a cosmic sense.
Quentin S. Crisp
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You focus on the here and now in order to escape existence forever and vanish into Nirvana. There is another religious impulse that is the opposite of this. It uses a world elsewhere in order to affirm life and give a reason to go forth and multiply.
Quentin S. Crisp
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[william] Burroughs, incidentally, took up the slogan that we are Here to go, which contradicts the tendency in Eastern mysticism to advocate staying where you are because there's nowhere to go anyway. I feel conflicted on this one.
Quentin S. Crisp
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It's true that Eastern philosophy and religion were not unknown to me as a child, since my father has explored much in that area, and written books more or less in that area, too.
Quentin S. Crisp
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We're all more or less interested in the 'swinging sixties', of course, but that's not what I mean. I'm interested in the particular naive glamour that clings to the post-war and pre-Hendrix era.
Quentin S. Crisp
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I think the natural is, for many people, the gateway to something supernatural or otherworldly.
Quentin S. Crisp
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I went for a walk in the rain. Recently, whenever it rains, I feel like I want to go for a walk.
Quentin S. Crisp
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As children in the seventies we were told about nebulous 'strangers'. By definition, we didn't know who these strangers were, and we didn't know what they wanted to do, but only that they were sinister. I think that was the stage the seventies were at.
Quentin S. Crisp
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I feel like the seventies was a decade where things ran out, and where other things set in. There was just a lurking graininess and seediness about the decade, a slight grogginess of the hangover from the sixties.
Quentin S. Crisp
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I do not think that my spiritual apprehensions are as dogmatically cultural as those of many people who have been brought up strictly in a particular tradition.
Quentin S. Crisp
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I don't know if Britain ever really achieved that much glamour. We had post-war austerity rather than post-war prosperity, and our cultural products of the time include some pretty dour kitchen-sink dramas of the A Kind of Loving variety. (This kind of film seems disillusioned with the sixties before they've even really begun.)
Quentin S. Crisp
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My muse can take the form of a landscape, an era, a style of writing, a piece of music, and, perhaps that which I find strangest of all for a muse, a human female. Of course, she's also adept at taking the form of toothless old Japanese men or young English lads with tattoos.
Quentin S. Crisp