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I associate my childhood with two things, mainly: the North Devon countryside and a sense of connection to another world.
Quentin S. Crisp
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Quentin S. Crisp
Age: 52
Born: 1972
Born: January 1
Writer
Devonshire
Another
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Two
Associates
Things
Mainly
World
North
Connection
Connections
Childhood
Devon
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Countryside
More quotes by Quentin S. Crisp
Some Buddhists, however, never seem to get past the void, and I suppose I view this as a kind of Buddhist 'Old Testament' that I don't especially like.
Quentin S. Crisp
This is the strange thing about existing in time. As [Philip] Larkin puts it, truly, though our element is time, we are not used to the strange perspectives open at each moment of our lives - something like that.
Quentin S. Crisp
We all know about the car breaking down on a deserted road scenario. That's cliché. I'm thinking more of Cider with Rosie, as in, the dark side.
Quentin S. Crisp
The quality of that 'who I am', is what I hope comes out in the writing.
Quentin S. Crisp
I have a sense of them being Easter religions, for some reason. Christianity, of course, is a mystery religion, too, and I believe that Arthur Machen was one of those especially interested in the link between the pagan mysteries and the Christian ones. So, my experience was also a Machenesque experience.
Quentin S. Crisp
I don't know if Britain ever really achieved that much glamour. We had post-war austerity rather than post-war prosperity, and our cultural products of the time include some pretty dour kitchen-sink dramas of the A Kind of Loving variety. (This kind of film seems disillusioned with the sixties before they've even really begun.)
Quentin S. Crisp
I have a bit of a struggle with some aspects of or forms of Buddhism, but Zen I find to be mainly congenial.
Quentin S. Crisp
Zen, on the other hand, is not so dogmatically sterile, though there are certainly traces and more than traces of this austerity. However, with Zen we have not only the void, but the fertile void. The ink lines in a sumi-e painting show this fertility of the void ever ready to brim over into existence.
Quentin S. Crisp
There's a possible qualification I can make here about a non-pantheist god that is in some way tenable, and that is the idea of a god that has in some way discharged the universe from its own substance (I associate this with the word 'tzimtzum'), possibly even by a form of suicide - a suicide that might have been the Big Bang.
Quentin S. Crisp
[My muse] is, in fact, a woman of the world, and precisely because of this, hopes that a diversity of cultures will endure, and that one bland monoculture does not swamp everything.
Quentin S. Crisp
I'm not claiming anything like sainthood - merely a native perception.
Quentin S. Crisp
I do not think that my spiritual apprehensions are as dogmatically cultural as those of many people who have been brought up strictly in a particular tradition.
Quentin S. Crisp
I suppose what I can say is that I do feel I have a natural spiritual sensibility.
Quentin S. Crisp
I really think [William] Burroughs was onto something here, when he said, Dreams are a biologic necessity and your lifeline into space.
Quentin S. Crisp
I think the natural is, for many people, the gateway to something supernatural or otherworldly.
Quentin S. Crisp
The peculiar thing is that, in focusing only on the here and now, Buddhism seems to despise the world.
Quentin S. Crisp
I'm constantly struggling with the futility and even sinfulness, from an antinatalist point of view, of creativity. And that struggle itself seems part of the creativity, though I sometimes suspect that it's nothing but a burden and an obstacle.
Quentin S. Crisp
I went for a walk in the rain. Recently, whenever it rains, I feel like I want to go for a walk.
Quentin S. Crisp
My muse can take the form of a landscape, an era, a style of writing, a piece of music, and, perhaps that which I find strangest of all for a muse, a human female. Of course, she's also adept at taking the form of toothless old Japanese men or young English lads with tattoos.
Quentin S. Crisp
When we fail to live up to our ideals, for instance, we might begin to wonder who we are - most people are aware of a discrepancy, I think. There are idiosyncrasies and foibles, but we're not sure if these are essential. Some people think they are the most essential things of all.
Quentin S. Crisp