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Lots of things were there [in the seventies], in the social experience, but not quite named, lurking like a stranger on the edge of the playground.
Quentin S. Crisp
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Quentin S. Crisp
Age: 52
Born: 1972
Born: January 1
Writer
Devonshire
Edge
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Edges
Lots
Stranger
Playground
Quite
Playgrounds
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Seventies
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Things
More quotes by Quentin S. Crisp
If future history is not to be just one damned thing after another in space, then what we really have to do is in some way overcome this linear experience of time that makes all existence a quest for something that will never be found.And philosophies such as Zen seem to hint that this is possible.
Quentin S. Crisp
I do not think that my spiritual apprehensions are as dogmatically cultural as those of many people who have been brought up strictly in a particular tradition.
Quentin S. Crisp
There's a possible qualification I can make here about a non-pantheist god that is in some way tenable, and that is the idea of a god that has in some way discharged the universe from its own substance (I associate this with the word 'tzimtzum'), possibly even by a form of suicide - a suicide that might have been the Big Bang.
Quentin S. Crisp
I've drifted in and out of vegetarianism for years.
Quentin S. Crisp
I associate my childhood with two things, mainly: the North Devon countryside and a sense of connection to another world.
Quentin S. Crisp
I never went to church as a child. I did not .
Quentin S. Crisp
I really think [William] Burroughs was onto something here, when he said, Dreams are a biologic necessity and your lifeline into space.
Quentin S. Crisp
I seemed to recall some words from an old Zen master, something like, My Zen cuts down mountains. My rejection of Buddhism was a cutting down of mountains that is precisely how it felt to me.
Quentin S. Crisp
My muse can take the form of a landscape, an era, a style of writing, a piece of music, and, perhaps that which I find strangest of all for a muse, a human female. Of course, she's also adept at taking the form of toothless old Japanese men or young English lads with tattoos.
Quentin S. Crisp
As children in the seventies we were told about nebulous 'strangers'. By definition, we didn't know who these strangers were, and we didn't know what they wanted to do, but only that they were sinister. I think that was the stage the seventies were at.
Quentin S. Crisp
The imagination is fertile. From seeds of the imagination, much is made manifest.
Quentin S. Crisp
[william] Burroughs, incidentally, took up the slogan that we are Here to go, which contradicts the tendency in Eastern mysticism to advocate staying where you are because there's nowhere to go anyway. I feel conflicted on this one.
Quentin S. Crisp
When I think back on it, I have a sense of relaxation, as if in the seventies no one had to try to be anyone other than who they were. I'm sure that's not really true, but that's how I remember it, and I suppose it might be relatively true.
Quentin S. Crisp
I'm more a dog person than a cat person.
Quentin S. Crisp
The quality of that 'who I am', is what I hope comes out in the writing.
Quentin S. Crisp
More or less the first thing that comes into my head is that some people are always looking for what they want to do in life and never finding it. I'm not one of those people. It has been very obvious to me from an early age who I am, and this has been tied up with creativity, and, specifically, with writing.
Quentin S. Crisp
We all know about the car breaking down on a deserted road scenario. That's cliché. I'm thinking more of Cider with Rosie, as in, the dark side.
Quentin S. Crisp
People often refer to a creative ability as a 'gift', and, of course, it is, in that, if I had sat down and logically tried to work out who I was and what I should do, I would never have come up with the idea of writing. It was already there, gratis, a given - a gift.
Quentin S. Crisp
Zen, on the other hand, is not so dogmatically sterile, though there are certainly traces and more than traces of this austerity. However, with Zen we have not only the void, but the fertile void. The ink lines in a sumi-e painting show this fertility of the void ever ready to brim over into existence.
Quentin S. Crisp
In the meditation, of course, the question is repeated and repeated until you run out of answers - or so I hear.
Quentin S. Crisp