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I feel like the seventies was a decade where things ran out, and where other things set in. There was just a lurking graininess and seediness about the decade, a slight grogginess of the hangover from the sixties.
Quentin S. Crisp
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Quentin S. Crisp
Age: 52
Born: 1972
Born: January 1
Writer
Devonshire
Ran
Decades
Sixties
Feel
Hangover
Feels
Lurking
Things
Slight
Like
Seventies
Decade
Sixty
More quotes by Quentin S. Crisp
In the meditation, of course, the question is repeated and repeated until you run out of answers - or so I hear.
Quentin S. Crisp
I like the concept of an anti-muse, though I'm not quite sure what that is. If there is such a thing in my life, I suppose it is just this weariness, this sense that it is more fulfilling not to exist, to efface all traces, than to limit oneself to the determined expression of manifestation.
Quentin S. Crisp
It's true that Eastern philosophy and religion were not unknown to me as a child, since my father has explored much in that area, and written books more or less in that area, too.
Quentin S. Crisp
Zen is influenced by Daoism, which is not so much a nature-religion in the animistic sense as a nature-philosophy in a cosmic sense.
Quentin S. Crisp
[Someone] said that what I described as the Buddhist voice - the life-denying voice of censure and guilt - sounded to him very much like a Catholic voice. This is, indeed, a mystery, and it intrigues me, too.
Quentin S. Crisp
We all know about the car breaking down on a deserted road scenario. That's cliché. I'm thinking more of Cider with Rosie, as in, the dark side.
Quentin S. Crisp
Apart from the underlying mystery of all things, there is also another possible specific mystery in this situation: Why did I become so interested in Buddhism, Zen and so on? I seem to have a Buddhist voice in my head, and someone asked me about this recently, saying he was intrigued.
Quentin S. Crisp
The imagination is fertile. From seeds of the imagination, much is made manifest.
Quentin S. Crisp
My muse can take the form of a landscape, an era, a style of writing, a piece of music, and, perhaps that which I find strangest of all for a muse, a human female. Of course, she's also adept at taking the form of toothless old Japanese men or young English lads with tattoos.
Quentin S. Crisp
I think the natural is, for many people, the gateway to something supernatural or otherworldly.
Quentin S. Crisp
I do not think that my spiritual apprehensions are as dogmatically cultural as those of many people who have been brought up strictly in a particular tradition.
Quentin S. Crisp
She [me muse] feels most at home in autumn, nonetheless, she is glad of the other seasons and loves them all. Without the others she would be unable to feel most at home in autumn, besides which, she almost feels most at home in all of them.
Quentin S. Crisp
I do have a muse. I am not sure how to describe her. She can be very elusive. She was born in England but has Mediterranean ancestry.
Quentin S. Crisp
The quality of that 'who I am', is what I hope comes out in the writing.
Quentin S. Crisp
When we fail to live up to our ideals, for instance, we might begin to wonder who we are - most people are aware of a discrepancy, I think. There are idiosyncrasies and foibles, but we're not sure if these are essential. Some people think they are the most essential things of all.
Quentin S. Crisp
I've drifted in and out of vegetarianism for years.
Quentin S. Crisp
I suppose what I can say is that I do feel I have a natural spiritual sensibility.
Quentin S. Crisp
The urban, on the other hand, is often seen as more real and mundane, even though it is obviously far more recent in terms of planetary development. I think this might be because nature corresponds to the unconscious and the artificial world of the city and human culture to the conscious mind.
Quentin S. Crisp
Lots of things were there [in the seventies], in the social experience, but not quite named, lurking like a stranger on the edge of the playground.
Quentin S. Crisp
Zen, on the other hand, is not so dogmatically sterile, though there are certainly traces and more than traces of this austerity. However, with Zen we have not only the void, but the fertile void. The ink lines in a sumi-e painting show this fertility of the void ever ready to brim over into existence.
Quentin S. Crisp
