When I'm on the set, I take five minutes to find the best angle for a scene, and then we just shoot it and it looks exactly what you see on screen because I don't touch it afterwards. I never think about it, before being on the set. That's my thing. I love to be stuck.

I've been obsessed with making movies since I was 15. I watched a lot of movies when I was young, and I decided that I wanted to do that because I was a passionate kid about watching movies.

A real good artist is basically a grown-up kid, who never kills the kid. What we call being an adult is basically about killing the kid. People think you have to forget about the kid to become an adult and deal with grown-up problems. But, that's bullshit. We are still kids. It's the same, you just grow up. You're a kid with more experience.

So many people are killing their childhood. It's like, Okay, today I've decided I'm gonna be a grown-up, and I'm not a kid anymore. But, that's bullshit. You're still a kid. It makes no sense to kill the kid.

It depends on the way you shoot it. It's something I don't really control. The main goal is to make a funny movie, but then I let my mind go. I get lost sometimes in the writing, trying to find some special zones. That's the excitement of making a movie.

To me, the movie is more funny if, at the same time, you can think a little bit or dream a little bit.

I always try to be different. I always want to surprise myself.

I'm just trying to find some secret places in the human brain because I think movies tend to be too rational sometimes. Everything is supposed to make sense. Everything is supposed to be logical.

I'm a small filmmaker, making my small, low-budget movies, but I'm super lucky to know that everybody reacts differently to my movies. That's interesting.

It [moviemaking] is like a dream. When you're dreaming, you make some very strange connections between some random stuff and random people.

When you watch an audience watching my movies, you realize that nobody laughs at the same time. Some people enjoy a beat, and then another group of people are laughing at a sight gag, and then someone laughs where nobody laughs before. They're not timed like a comedy. You're not supposed to laugh at every joke. You decide.

I don't like to be on a set and wait three hours, just to make some lighting adjustments. I like to shoot. That's what I want to do. I'd rather shoot something dumb than wait.

If you lost the love of your life, that's a nightmare.