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I sit down to the piano regularly at nine-o'clock in the morning and Mesdames les Muses have learned to be on time for that rendezvous.

Pyotr Ilyich Tchaikovsky

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Pyotr Ilyich Tchaikovsky
Age: 53 †
Born: 1840
Born: May 7
Died: 1893
Died: November 6
Autobiographer
Choreographer
Composer
Conceptual Artist
Conductor
Diarist
Librettist
Music Critic
Music Pedagogue
Musician
Pedagogue
Pyotr Il'yich Tchaikovsky
Pyotr Tchaikovsky
Peter Ilich Tchaikovsky
Tchaikovsky
Peter Tchaikovsky
Pyotr Il'ich Chaikovskiy
Tschaikowski
Tschaikowsky
Chajkovskij
Chaikovsky
Piotr Ilyitch Tchaikovsky
Muse
Clock
Piano
Nine
Learned
Morning
Rendezvous
Music
Muses
Time
Regularly

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Sometimes I observe with curiosity that uninterrupted activity which, independent of the subject of any conversation I may be carrying on, continues its course in that department of my brain that is devoted to music.
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I have put my whole soul into this work [The Pathetique Symphony] . . . You cannot imagine what joy I feel at the thought that my days are not yet over and that I may still accomplish much.
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Music is an incomparably more powerful means and is a subtler language for expressing the thousand different moments of the soul's moods.
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Madam, you ask me how I compose. I compose sitting down.
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Music possesses much richer means of expression and it is a more subtle medium for translating the 1000 shifting moments of the feelings of the soul.
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The muse doesn't come without being called.
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Brahms stayed an extra day to hear my [Fifth] Symphony and was very kind ... I like his honesty and open-mindedness. Neither he nor the players liked the finale, which I also think rather horrible.
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Where the heart does not enter there can be no music.
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Mozart is the musical Christ.
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What I have set down in a moment of ardour I must then critically examine. Sometimes I must do myself violence before I can mercilessly erase things thought out with love.
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A self-respecting artist must not fold his hands on the pretext that he is not in the mood.
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The creative process is like music which takes root with extraordinary force and rapidity
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When Brahms is in extra good spirits, he sings, The grave is my joy.
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After the last notes of Gotterdammerung I felt as though I had been let out of prison.
Pyotr Ilyich Tchaikovsky