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I have always studied my parts with the orchestral score and not with the piano reduction.
Placido Domingo
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Placido Domingo
Age: 83
Born: 1941
Born: January 21
Actor
Conductor
Musician
Opera Singer
Singer
Tenor
Madrid
Spain
José Plácido Domingu Embil
Placido Domingo
Jose Placido Domingu Embil
Piano
Parts
Always
Orchestral
Reduction
Studied
Score
More quotes by Placido Domingo
The press regularly proclaims my ambitions and my financial demands.
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I'm not superstitious because it brings bad luck.
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The public made me and then encouraged me for many years, and my future even now depends upon it.
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When a young artist is ready, one has to bring him into the limelight.
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My strength is my enthusiasm.
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Between parts I was too old for and roles that were too overwhelming, out of reach then for my voice. I carved out a niche with the Wagnerian repertoire since I am attracted by its theatrical intensity.
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I am never wrong when it comes to my possibilities.
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To stay at my best, I have to stop talking during the preceding day.
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Let us be clear: I take ten times more money for a concert than for an opera performance.
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This season, over eight productions, I am presenting four young tenors.
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In the last century, everybody was singing lower.
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What is sad is not to be able to do today what you have done in your youth. But what is good is to remember that - when you were able - you did it to the best of your ability.
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I hope I have given back half the joy music has given me.
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If money was my only motivation, I would organize myself differently.
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I then realized that I could never be satisfied again with the mere natural charm of my voice, that I had to constantly paint when singing, melting all the colors, expressing reds and blacks that had to be less primary but bursting with subtly colored combinations.
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I attended less than two years of Conservatory in Mexico City.
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I was married at 16, a father at 17 and divorced at 18.
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But enough joking. I am singing. This is all my life.
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On the other hand, I have devoted so much energy to reach the top that I accept the stress of being there.
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When facing symphonic orchestras which have played some works five thousands times, you have nothing to do.
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