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He bores me. He ought to have stuck to his flying machine. [On Leonardo Da Vinci]
Pierre-Auguste Renoir
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Pierre-Auguste Renoir
Age: 78 †
Born: 1841
Born: February 25
Died: 1919
Died: December 3
Artist
Drawer
Illustrator
Painter
Printmaker
Sculptor
Lemòtges
Auguste Renoir
Pjer-Ogist Renoar
Pierre Auguste Renoir
August Renoir
Pierre August Renoir
firmin auguste renoir
p.a. renoir
renoir p.a.
Renoir
a. renoir
august renoir
pierre august renoir
Art
Leonardo
Bores
Machine
Flying
Stuck
Machines
Ought
Artist
Vinci
More quotes by Pierre-Auguste Renoir
Nothing costs so little, goes so far, and accomplishes so much as a single act of merciful service.
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I have no rules and no methods... no secrets.
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I've never let one day go by without painting, or at least without drawing.
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One must from time to time attempt things that are beyond one's capacity.
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An artist, under pain of oblivion, must have confidence in himself, and listen only to his real master: Nature.
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To be an artist you must learn the laws of nature.
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The modern architect is, generally speaking, art's greatest enemy.
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There are some things in painting which cannot be explained, and that something is essential.
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How is it that in the so-called barbarian ages art was understood, whereas in our age of progress exactly the opposite is true?
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One morning, one of us ran out of the black, it was the birth of Impressionism.
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I've known painters who never did any good work because instead of painting their models they seduced them.
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I'm still afflicted with the malady of research. I don't like what I do, and I paint it out, and paint it out again. I hope this mania will come to an end... I'm like a child at school. The white page must always be evenly written and slap! bang! and there's a blot! I'm still blotting and I'm forty years old.
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Photography freed painting from a lot of tiresome chores, starting with family portraits.
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The work of art must seize upon you...carry you away.
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Art is about emotion if art needs to be explained it is no longer art.
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What is to be done about these literary people, who will never understand that painting is a craft and that the material side comes first? The ideas come afterwards, when the picture is finished.
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The most important element in a picture cannot be defined.
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One can thus state, without fear of being wrong, that every truly artistic production has been conceived and executed according to the principle of irregularity.
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Out-of-doors there is a greater variety of light than in the studio, where the light is always the same. But that is just the trouble one is carried away by the light, and besides, one can't see what one is doing.
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I arrange my subject as I want it, then I go ahead and paint it, like a child.
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