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When I've painted a woman's bottom so that I want to touch it, then [the painting] is finished.
Pierre-Auguste Renoir
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Pierre-Auguste Renoir
Age: 78 †
Born: 1841
Born: February 25
Died: 1919
Died: December 3
Artist
Drawer
Illustrator
Painter
Printmaker
Sculptor
Lemòtges
Auguste Renoir
Pjer-Ogist Renoar
Pierre Auguste Renoir
August Renoir
Pierre August Renoir
firmin auguste renoir
p.a. renoir
renoir p.a.
Renoir
a. renoir
august renoir
pierre august renoir
Finished
Touch
Bottom
Painting
Woman
Painted
More quotes by Pierre-Auguste Renoir
The work of art must seize upon you...carry you away.
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Regularity, order, desire for perfection destroy art. Irregularity is the basis of all art.
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You come to nature with all her theories, and she knocks them all flat.
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I consider that women who are authors, lawyers, and politicians are monsters.
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In a few generations you can breed a racehorse. The recipe for making a man like Delacroix is less well known.
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On the whole, the modern palette is the same as the one used by the artists of Pompeii... I mean it has not been enriched. The ancients used earths, ochres, and ivory-black - you can do anything with that palette.
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Nothing costs so little, goes so far, and accomplishes so much as a single act of merciful service.
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He bores me. He ought to have stuck to his flying machine. [On Leonardo Da Vinci]
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I've never let one day go by without painting, or at least without drawing.
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In painting, as in the other arts, there's not a single process, no matter how insignificant, which can be reasonably made into a formula. You come to nature with your theories, and she knocks them all flat.
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It is not enough for a painter to be a clever craftsman he must love to 'caress' his canvas, too.
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The so-called 'discoveries' of the Impressionists could not have been unknown to the old masters and if they made no use of them, it was because all great artists have renounced the use of effects. And in simplifying nature, they made it all the greater.
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Why shouldn’t art be pretty? There are enough unpleasant things in the world.
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The only reward one should offer an artist is to buy his work.
Pierre-Auguste Renoir
The advantage of growing old is that you become aware of your mistakes more quickly.
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I want a red to be sonorous, to sound like a bell. If it doesn't turn out that way, I add more reds and other colors until I get it.
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I arrange my subject as I want it, then I go ahead and paint it, like a child.
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Berthe Morisot was a painter full of eighteenth-century delicacy and grace in a word, the last elegant and 'feminine' artists since Fragonard.
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A painter who has the feel of breasts and buttocks is saved.
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What is to be done about these literary people, who will never understand that painting is a craft and that the material side comes first? The ideas come afterwards, when the picture is finished.
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