When I make a film I'm always in reality among the trees, and among the people like yourselves. There's no symbolic or conventional filter between me and reality as there is in literature. The cinema is an explosion of my love for reality.

I don't believe we shall ever again have any form of society in which men will be free. One should not hope for it. One should not hope for anything. Hope is invented by politicians to keep the electorate happy.

Once life is finished it acquires a sense up to that point it has not got a sense its sense is suspended and therefore ambiguous.

An artist, if he's unselfish and passionate, is always a living protest. Just to open his mouth is to protest: against conformism, against what is official, public, or national, what everyone else feels comfortable with, so the moment he opens his mouth, an artist is engaged, because opening his mouth is always scandalous.

Death does determine life. Once life is finished it acquires a sense up to that point it has not got a sense its sense is suspended and therefore ambiguous. However, to be sincere I must add that for me death is important only if it is not justified and rationalized by reason. For me death is the maximum of epicness and death.

I am not interested in deconsecrating: this is a fashion I hate, it is petit-bourgeois. I want to reconsecrate things as much as possible, I want to re-mythicize them.

Football is the last sacred ritual of our time.

Death does determine life.

Truth lies not only in a dream, but in many dreams.