I have been very influenced by the Japanese concept of space - the preciousness of space, and how one's environment can be shaped to make the most out of limited resources. That's the kind of thing we need to look at again - how momentous the results can be from very subtle changes.

Design is meant to grab you and win you over. It is meant to function in a way so as to make life easier. Obviously painting has to do with something quite beyond that. It's not about communication per se. It doesn't necessarily telegraph anything. It's more about understanding who we are and where we come from.

I think that is the role of the artist in society - the cultural role of the artist is to perform a healing function.

I'm not so interested in the effort that it takes to have a self-promotional outlook. I believe in being quiet and making my work and just trying to make discoveries and let the painting evolve.

It's hard to fathom the psychology of the economics of art. I don't quite understand it, and I don't necessarily want to understand it.

I don't understand why a Mark Rothko painting - as much as I love Mark Rothko - has to cost $73 million. I mean, I think $14 million is a pretty reasonable sum of money for a good Rothko painting. What's disturbing about this present moment is that these prices have been so out of control.

Art exists through the act of making. It has to somehow be made manifest to another person. It has to do with what one wants to see manifest, what one wants to bring into the world, what one desires to have exist.