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I think I would have drank myself to death, literally, if I didn't just stop, once and for all when I did. I am not ever going to preach to anyone about drugs or drinking. But, for me, when they were around, I had no self control.

Philip Seymour Hoffman

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Philip Seymour Hoffman
Age: 46 †
Born: 1967
Born: July 23
Died: 2014
Died: February 2
Actor
Character Actor
Film Actor
Film Director
Film Producer
Stage Actor
Television Actor
Theatrical Director
Voice Actor
Fairport
New York
Philip Hoffman
Phil Hoffman
Ever
Drinking
Self
Drug
Going
Control
Would
Stop
Think
Anyone
Drank
Thinking
Death
Preach
Didn
Literally
Around
Drugs

More quotes by Philip Seymour Hoffman

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Well, in the theater, I think you're actually more responsible for what is going on onstage as a director than you are in film.
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I think you gotta have an honesty and a humility about human nature and that it's not about you at the end of the day.
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Study, find all the good teachers and study with them, get involved in acting to act, not to be famous or for the money. Do plays. It's not worth it if you are just in it for the money. You have to love it.
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Why you do something is always kind of a mystery to me.
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I have so much empathy for these young actors that are 19 and all of a sudden they're beautiful and famous and rich. I'm like, 'Oh my God, I'd be dead.'
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In life, do you ever really know if you're missing an opportunity? No, you really don't.
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You have to have a personal connection. You have to really want to do it, because if you don't, investing yourself personally, your thoughts, your emotions, yourself into a part, is something you're not going to want to do as much.
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I've worked with a lot of characters that are unhinged. I've played characters that are unhinged. That's, like, my job.
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There's things that you don't want to do and they keep haunting you and following you. Bennett Miller directed this project [Capote], who is a friend of mine since I was 16, and Danny Futterman wrote it, and he's also been a friend of mine since I was 16.
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The foibles of my body are pretty much out there in the work I do.
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I feel like I made a little bit of difference.
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Bob Glaudini, the writer, he's a wonderfully talented man and all his plays and his screenplays, they all have sense of something bigger, even though you're looking at something very simple.
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The weight comes off, you know? If you stop with the bread and the pie, it really does. It really works.
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I work constantly but I work at a lot of different things. You know, I run a theater company in New York, I direct plays, act in plays, in movies, so I try to keep it eclectic.
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I know that obviously, that if you want to get the story, if you want to get close to somebody, if you want to find out what is really the truth or what's really interesting, you have to create a trust between these two things, between the journalist and the subject.
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I've been reading a bunch of stuff lately - like Joseph Campbell - that has made me realize that people in our cultural, especially in the liberal community, often go in search of a foe. It's like we always need a hill to climb up or something to push against, or we feel as if we're not working constructively in the world.
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Women are the life force we look at for their beauty.
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Creating anything is hard.
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My mum's name is Marilyn O'Connor. She's here tonight and I would like if you see her for you to congratulate her because she brought up four kids alone and she deserves congratulations for that.
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[Truman Capote] was not only just selling his writing, but he was selling himself as a person.
Philip Seymour Hoffman