Quote

I seemed to have spent the whole time either reading, which I loved, or laughing, which I love, or fooling about, which I loved. There was the usual teenage angst: Nobody understands me and I'm the only genius in the world and all that stuff. But that didn't get very deep.

Philip Pullman

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Philip Pullman
Age: 78
Born: 1946
Born: October 19
Audiobook Narrator
Executive Producer
Film Writer
Librarian
Novelist
Playwright
University Teacher
Writer
Norwich
Norfolk
Sir Philip Pullman
Stuff
Spent
Didn
Genius
Whole
Deep
Fooling
Time
Laughing
Angst
Love
Nobody
Teenage
World
Loved
Understands
Either
Usual
Reading
Seemed

More quotes by Philip Pullman

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Tell him, we are not devils but we have friends who are.
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One moment several things are possible, the next moment only one happens, and the rest don't exist. Except that other worlds have sprung into being, on which the did happen.
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Every little increase in human freedom has been fought over ferociously between those who want us to know more and be wiser and stronger, and those who want us to obey and be humble and submit.
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Thou Shalt Not is soon forgotten, but Once Upon a Time is forever.
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Sticks and stones, I'll break yer bones, but names ain't worth a quarrel.
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Men and women are moved by tides much fiercer than you can imagine, and they sweep us all up into the current.
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The Lord of the Rings' is fundamentally an infantile work. Tolkien is not interested in the way grownup, adult human beings interact with each other. He's interested in maps and plans and languages and codes.
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...because where we are is always the most important place.
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We are all subject to the fates. But we must act as if we are not, or die of despair.
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Just finished 'Secrecy' - truly enthralling both as a love story and as a tale of suspense - but much more than both.
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Being in love was like China: you knew it was there, and no doubt it was very interesting, and some people went there, but I never would.
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But I know that all the things I do know are very small compared with the things that I don't know.
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For that reason you can't write with music playing, and anyone who says he can is either writing badly, or not listening to the music, or lying. You need to hear what you're writing, and for that you need silence
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'Thou shalt not' might reach the head, but it takes 'Once upon a time' to reach the heart.
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Marisa! Marisa!” The cry was torn from Lord Asriel, and with the snow leopard beside her, with a roaring in her ears, Lyra’s mother stood and found her footing and leapt with all her heart, to hurl herself against the angel and her daemon and her dying lover, and seize those beating wings, and bear them all down together into the abyss.
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I wanted the chance to look again at very famous stories and see what made them work well, whether there were any ways in which they could be improved. Because the great thing about fairy tales and folk tales is that there is no authentic text.
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A story, to me, has a particular sprite, like the angel of the spirit of that story - and it's my job to attend to what it wants to do.
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This is the value for me of writing books that children read. Children aren't interested in your appalling self-consciousness. They want to know what happens next. They force you to tell a story.
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He dared to do what men and women don't even dare to think. And look what he's done already: he's torn open the sky, he's opened the way to another world. Who else has ever done that? Who else could think of it?
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Do not lie to the Scholar.
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