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When I try to outline the history of ethical life, it's sometimes possible to find evidence for a hypothesis about how important transitions actually went. Often, however, that isn't so. There are many facts about human life in the Paleolithic we're never likely to know.

Philip Kitcher

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Philip Kitcher
Age: 77
Born: 1947
Born: February 20
Philosopher
University Teacher
London
England
Philip Stuart Kitcher
Transition
Important
History
Ethical
Trying
Often
Likely
Never
Facts
Paleolithic
Life
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Transitions
Human
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Humans
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Sometimes
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More quotes by Philip Kitcher

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Secular humanists should recognize those forms of religion as allies in the struggle for human advancement. They should also learn from them, as they try to build a fully secular world in which people can have the opportunity to live rich and fulfilling lives.
Philip Kitcher
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Using the Adagietto of Mahler's Fifth is one of the touches of pure genius in Visconti's film (even though Mahlerians complain very loudly that the piece has been ruined), since it corresponds perfectly to Aschenbach's yearnings and to his circling walks around Venice.
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Any writer who could handle all these different voices would deserve high praise, but to do so without any sense of jarring or incoherence is an extraordinary accomplishment.
Philip Kitcher
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Sometimes, however, the new synthetic complex proves stable, and even serves as the beginning of a much larger cluster of attitudes that displace some we've previously considered to be fixed parts of ourselves.
Philip Kitcher
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I would like to undermine the stereotype of strict philosophy. J.L. Austin remarked that, when philosophy is done well, it's all over by the bottom of the first page. I take him to have meant that the real work comes in setting up the problem with which you are dealing, and thus getting your reader to take particular things for granted.
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It is hard to hide our genes completely. However devoted someone may be to the privacy of his genotype, others with enough curiosity and knowledge can draw conclusions from the phenotype he presents and from the traits of his relatives.
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Sometimes, of course, the artist does give up, saying, in effect, I've done enough. Prospero declares that the revels are ended, and breaks his staff - his author retires to Stratford. At the very end, Mann did something similar. Interestingly, in both instances, death came quite quickly after that.
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I don't think readers of Mann have overlooked the fact that he was a great ironist, but they have tended to see the irony in particular parts of the novella, and to miss it in others.
Philip Kitcher
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We know that he gave Aschenbach Mahler's first name, and also his facial features. So Visconti picks up on something interesting. That led me to think about ways of developing further the Aschenbach-Mahler connection.
Philip Kitcher
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If the research agenda reflects market forces, the problems of the poor are likely to be even more neglected than they already are.
Philip Kitcher
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For a pragmatist like me, the important issues concern the words we might deploy to achieve our purposes, rather than the language we actually use.
Philip Kitcher
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Many of the greatest works of philosophy seem to me to be valuable not because of their arguments, but because they offer us perspectives that open up new possibilities. They show us how we might start in different places, and not buy into the assumptions tacitly made on the first pages of the philosophical works that have influenced us.
Philip Kitcher
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In working towards ways of reading Mann, so that his own advances in suggesting new perspectives will become more vivid, I do some fairly standard philosophical analysis of ideas in Nietzsche and Schopenhauer.
Philip Kitcher
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Those citizens are distracted by the toys technology has supplied, and fail to recognize the ways in which what they most deeply want is made vulnerable by the coming disruptions of human relations on an over-heated planet.
Philip Kitcher
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Philosophers ought to aspire to know lots of different things and to forge useful synthetic perspectives.
Philip Kitcher
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Britten's opera tends to see things in simpler terms. It portrays an Aschenbach who wants a richer form of sexual fulfillment, and who is hemmed in by the social conventions to which he subscribes. But Visconti's use of the Mahler Adagietto is perfect for what I take to be Aschenbach's sexual desire.
Philip Kitcher
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Wilhelmine Germany was hostile to the expression of same-sex love - and, of course, Mann would have known of the fate of Oscar Wilde. His early reading of Platen's poetry, and, probably when he was in his early twenties, of Platen's diaries, introduced him to a form of sexual expression he found profoundly congenial. It's not quite Platonic.
Philip Kitcher
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Experiments work when, and only when, they call into action cognitive capacities that might reliably deliver the conclusions drawn.
Philip Kitcher
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I felt I should also contrast Visconti's treatment of the novella - usually damned by Mann fans (who typically respect Britten's more faithful adaptation). The Visconti film does many quite wonderful things, although there are good reasons for the condemnation.
Philip Kitcher
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I didn't know that Mahler would come to play so large a role, nor that music and literature and philosophy can interinanimate one another in the way I've come to think they do in this case.
Philip Kitcher