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Philosophers ought to aspire to know lots of different things and to forge useful synthetic perspectives.
Philip Kitcher
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Philip Kitcher
Age: 77
Born: 1947
Born: February 20
Philosopher
University Teacher
London
England
Philip Stuart Kitcher
Ought
Forge
Different
Perspectives
Things
Philosophers
Aspire
Philosopher
Useful
Lots
Perspective
Synthetic
More quotes by Philip Kitcher
It's a very bad idea for scientific conclusions to be accepted because they fit with the political values of a group of researchers.
Philip Kitcher
So is fighting incompleteness the source of artistic neurosis? I doubt it. At most, this would apply to artists who deal with particular kinds of problems. I don't think we should think of Haydn or Mozart or Dickens or George Eliot in these terms.
Philip Kitcher
Experiments work when, and only when, they call into action cognitive capacities that might reliably deliver the conclusions drawn.
Philip Kitcher
The point of philosophy, as I see it, is to change thinking, and thereby to change the conversation.
Philip Kitcher
I rather stumbled into philosophy. When I began my undergraduate career at Cambridge, I studied mathematics.
Philip Kitcher
Because the problems are objective features of the human situation - social animals without the capacities for making social life come easily - ethics is objectively constrained. It's not the case that anything goes.
Philip Kitcher
Look at Mann's reading habits, his explicit comments on Nietzsche, and his copy of Birth of Tragedy, and it starts to seem doubtful that this work of Nietzsche's played much role in the gestation of the novella.
Philip Kitcher
I don't think readers of Mann have overlooked the fact that he was a great ironist, but they have tended to see the irony in particular parts of the novella, and to miss it in others.
Philip Kitcher
I'm very suspicious of the idea of a final theory in natural science, and the thought of a complete system of ethical rules seems even more dubious.
Philip Kitcher
Those citizens are distracted by the toys technology has supplied, and fail to recognize the ways in which what they most deeply want is made vulnerable by the coming disruptions of human relations on an over-heated planet.
Philip Kitcher
Sometimes, of course, the artist does give up, saying, in effect, I've done enough. Prospero declares that the revels are ended, and breaks his staff - his author retires to Stratford. At the very end, Mann did something similar. Interestingly, in both instances, death came quite quickly after that.
Philip Kitcher
There are many critics whose work I greatly admire. Even though I diverge from T.J. Reed in several important ways, I've learned greatly from his writings on Mann.
Philip Kitcher
To my mind, Death in Venice represents an enormous advance in Mann's literary development, not simply for the commonly appreciated reason that he crafted a superbly supple and elegant style, apparently well suited to the kind of prose Aschenbach is supposed to write.
Philip Kitcher
I didn't know that Mahler would come to play so large a role, nor that music and literature and philosophy can interinanimate one another in the way I've come to think they do in this case.
Philip Kitcher
In ethics, we don't make progress by discovering pre-existent truths we do so by solving problems.
Philip Kitcher
If the research agenda reflects market forces, the problems of the poor are likely to be even more neglected than they already are.
Philip Kitcher
Britten's opera tends to see things in simpler terms. It portrays an Aschenbach who wants a richer form of sexual fulfillment, and who is hemmed in by the social conventions to which he subscribes. But Visconti's use of the Mahler Adagietto is perfect for what I take to be Aschenbach's sexual desire.
Philip Kitcher
A different vision of ethics is that of a collection of resources people can use to act better. The resources might be firm rules that could always be relied on. Or they might be ideals that could often be followed without thinking but that sometimes conflicted with one another.
Philip Kitcher
For anyone who conceives literature in terms of plurality of perspectives, Finnegans Wake has to be the apogee. For, as we are told, every word in it has three score and ten toptypsical meanings - an exaggeration, of course, but an important reminder to readers who like their fiction definite.
Philip Kitcher
We know that he gave Aschenbach Mahler's first name, and also his facial features. So Visconti picks up on something interesting. That led me to think about ways of developing further the Aschenbach-Mahler connection.
Philip Kitcher