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So is fighting incompleteness the source of artistic neurosis? I doubt it. At most, this would apply to artists who deal with particular kinds of problems. I don't think we should think of Haydn or Mozart or Dickens or George Eliot in these terms.

Philip Kitcher

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Philip Kitcher
Age: 77
Born: 1947
Born: February 20
Philosopher
University Teacher
London
England
Philip Stuart Kitcher
Thinking
Doubt
Kinds
Incompleteness
Term
Artists
Eliot
Fighting
Terms
Mozart
Artist
Deal
Dickens
Problem
Source
Neurosis
Kind
Problems
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Would
Deals
George
Think
Particular
Artistic
Haydn

More quotes by Philip Kitcher

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Ethical inquiry has always been motivated by the aim of improving human conduct. It doesn't follow from that that the goal is to produce a complete rule book that would be applicable to all cases.
Philip Kitcher
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For anyone who conceives literature in terms of plurality of perspectives, Finnegans Wake has to be the apogee. For, as we are told, every word in it has three score and ten toptypsical meanings - an exaggeration, of course, but an important reminder to readers who like their fiction definite.
Philip Kitcher
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Any writer who could handle all these different voices would deserve high praise, but to do so without any sense of jarring or incoherence is an extraordinary accomplishment.
Philip Kitcher
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The amalgam of psychological attitudes we form is the synthetic complex. It may fall apart quite quickly as further reflection or further experience bears on it, and we may revert to our former judgments, feelings and tendencies.
Philip Kitcher
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I would like to undermine the stereotype of strict philosophy. J.L. Austin remarked that, when philosophy is done well, it's all over by the bottom of the first page. I take him to have meant that the real work comes in setting up the problem with which you are dealing, and thus getting your reader to take particular things for granted.
Philip Kitcher
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When I try to outline the history of ethical life, it's sometimes possible to find evidence for a hypothesis about how important transitions actually went. Often, however, that isn't so. There are many facts about human life in the Paleolithic we're never likely to know.
Philip Kitcher
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Think about Mann's own daily routine (ascribed to Aschenbach), read the extant diaries and the letters in which he discusses the novella's themes, and it won't be so obvious that the attraction to Tadzio is completely unprecedented it also won't be obvious that what Aschenbach wants is full sexual contact.
Philip Kitcher
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The point of philosophy, as I see it, is to change thinking, and thereby to change the conversation.
Philip Kitcher
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Look at Mann's reading habits, his explicit comments on Nietzsche, and his copy of Birth of Tragedy, and it starts to seem doubtful that this work of Nietzsche's played much role in the gestation of the novella.
Philip Kitcher
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There are many critics whose work I greatly admire. Even though I diverge from T.J. Reed in several important ways, I've learned greatly from his writings on Mann.
Philip Kitcher
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I felt I should also contrast Visconti's treatment of the novella - usually damned by Mann fans (who typically respect Britten's more faithful adaptation). The Visconti film does many quite wonderful things, although there are good reasons for the condemnation.
Philip Kitcher
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I rather stumbled into philosophy. When I began my undergraduate career at Cambridge, I studied mathematics.
Philip Kitcher
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The hardest problem of all is to appreciate the facts that the poor nations are - quite reasonably - not going to forgo their development, and that they can only afford to develop by consuming fossil fuels.
Philip Kitcher
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To my mind, Death in Venice represents an enormous advance in Mann's literary development, not simply for the commonly appreciated reason that he crafted a superbly supple and elegant style, apparently well suited to the kind of prose Aschenbach is supposed to write.
Philip Kitcher
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For a pragmatist like me, the important issues concern the words we might deploy to achieve our purposes, rather than the language we actually use.
Philip Kitcher
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Britten's opera tends to see things in simpler terms. It portrays an Aschenbach who wants a richer form of sexual fulfillment, and who is hemmed in by the social conventions to which he subscribes. But Visconti's use of the Mahler Adagietto is perfect for what I take to be Aschenbach's sexual desire.
Philip Kitcher
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I didn't know that Mahler would come to play so large a role, nor that music and literature and philosophy can interinanimate one another in the way I've come to think they do in this case.
Philip Kitcher
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If the research agenda reflects market forces, the problems of the poor are likely to be even more neglected than they already are.
Philip Kitcher
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Philosophers ought to aspire to know lots of different things and to forge useful synthetic perspectives.
Philip Kitcher
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We know that he gave Aschenbach Mahler's first name, and also his facial features. So Visconti picks up on something interesting. That led me to think about ways of developing further the Aschenbach-Mahler connection.
Philip Kitcher