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The amalgam of psychological attitudes we form is the synthetic complex. It may fall apart quite quickly as further reflection or further experience bears on it, and we may revert to our former judgments, feelings and tendencies.
Philip Kitcher
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Philip Kitcher
Age: 77
Born: 1947
Born: February 20
Philosopher
University Teacher
London
England
Philip Stuart Kitcher
Attitude
Psychological
Quite
Complex
Amalgam
Fall
Apart
Revert
Experience
Former
Synthetic
Feelings
Quickly
Judgments
Form
Reflection
Attitudes
May
Bears
Tendencies
Judgment
Complexes
More quotes by Philip Kitcher
To my mind, Death in Venice represents an enormous advance in Mann's literary development, not simply for the commonly appreciated reason that he crafted a superbly supple and elegant style, apparently well suited to the kind of prose Aschenbach is supposed to write.
Philip Kitcher
I didn't know that Mahler would come to play so large a role, nor that music and literature and philosophy can interinanimate one another in the way I've come to think they do in this case.
Philip Kitcher
Klaus Mann saw very clearly how different was his own (more liberated) form of homosexuality from the same-sex attractions of his father - and that is reiterated in TM's diary queries about how two men can sleep together.
Philip Kitcher
If there are to be appropriate judgments about what questions are significant, you need both the informed views of scientists who know what has been achieved and what future developments are promising and the reflective judgments of representatives of different groups who can identify what kinds of information are most urgently needed.
Philip Kitcher
I rather stumbled into philosophy. When I began my undergraduate career at Cambridge, I studied mathematics.
Philip Kitcher
It is hard to hide our genes completely. However devoted someone may be to the privacy of his genotype, others with enough curiosity and knowledge can draw conclusions from the phenotype he presents and from the traits of his relatives.
Philip Kitcher
Sometimes, of course, the artist does give up, saying, in effect, I've done enough. Prospero declares that the revels are ended, and breaks his staff - his author retires to Stratford. At the very end, Mann did something similar. Interestingly, in both instances, death came quite quickly after that.
Philip Kitcher
When I try to outline the history of ethical life, it's sometimes possible to find evidence for a hypothesis about how important transitions actually went. Often, however, that isn't so. There are many facts about human life in the Paleolithic we're never likely to know.
Philip Kitcher
Secular humanists should recognize those forms of religion as allies in the struggle for human advancement. They should also learn from them, as they try to build a fully secular world in which people can have the opportunity to live rich and fulfilling lives.
Philip Kitcher
The hardest problem of all is to appreciate the facts that the poor nations are - quite reasonably - not going to forgo their development, and that they can only afford to develop by consuming fossil fuels.
Philip Kitcher
I don't think readers of Mann have overlooked the fact that he was a great ironist, but they have tended to see the irony in particular parts of the novella, and to miss it in others.
Philip Kitcher
Wilhelmine Germany was hostile to the expression of same-sex love - and, of course, Mann would have known of the fate of Oscar Wilde. His early reading of Platen's poetry, and, probably when he was in his early twenties, of Platen's diaries, introduced him to a form of sexual expression he found profoundly congenial. It's not quite Platonic.
Philip Kitcher
Experiments work when, and only when, they call into action cognitive capacities that might reliably deliver the conclusions drawn.
Philip Kitcher
Ethical inquiry has always been motivated by the aim of improving human conduct. It doesn't follow from that that the goal is to produce a complete rule book that would be applicable to all cases.
Philip Kitcher
Using the Adagietto of Mahler's Fifth is one of the touches of pure genius in Visconti's film (even though Mahlerians complain very loudly that the piece has been ruined), since it corresponds perfectly to Aschenbach's yearnings and to his circling walks around Venice.
Philip Kitcher
We know that he gave Aschenbach Mahler's first name, and also his facial features. So Visconti picks up on something interesting. That led me to think about ways of developing further the Aschenbach-Mahler connection.
Philip Kitcher
I would like to undermine the stereotype of strict philosophy. J.L. Austin remarked that, when philosophy is done well, it's all over by the bottom of the first page. I take him to have meant that the real work comes in setting up the problem with which you are dealing, and thus getting your reader to take particular things for granted.
Philip Kitcher
Britten's opera tends to see things in simpler terms. It portrays an Aschenbach who wants a richer form of sexual fulfillment, and who is hemmed in by the social conventions to which he subscribes. But Visconti's use of the Mahler Adagietto is perfect for what I take to be Aschenbach's sexual desire.
Philip Kitcher
Look at Mann's reading habits, his explicit comments on Nietzsche, and his copy of Birth of Tragedy, and it starts to seem doubtful that this work of Nietzsche's played much role in the gestation of the novella.
Philip Kitcher
For anyone who conceives literature in terms of plurality of perspectives, Finnegans Wake has to be the apogee. For, as we are told, every word in it has three score and ten toptypsical meanings - an exaggeration, of course, but an important reminder to readers who like their fiction definite.
Philip Kitcher