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Using the Adagietto of Mahler's Fifth is one of the touches of pure genius in Visconti's film (even though Mahlerians complain very loudly that the piece has been ruined), since it corresponds perfectly to Aschenbach's yearnings and to his circling walks around Venice.

Philip Kitcher

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Philip Kitcher
Age: 77
Born: 1947
Born: February 20
Philosopher
University Teacher
London
England
Philip Stuart Kitcher
Pieces
Complain
Yearnings
Walks
Ruined
Circling
Since
Complaining
Corresponds
Though
Perfectly
Loudly
Film
Using
Venice
Around
Piece
Touches
Even
Genius
Fifth
Pure
Yearning
Mahler

More quotes by Philip Kitcher

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I would like to undermine the stereotype of strict philosophy. J.L. Austin remarked that, when philosophy is done well, it's all over by the bottom of the first page. I take him to have meant that the real work comes in setting up the problem with which you are dealing, and thus getting your reader to take particular things for granted.
Philip Kitcher
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Sometimes, of course, the artist does give up, saying, in effect, I've done enough. Prospero declares that the revels are ended, and breaks his staff - his author retires to Stratford. At the very end, Mann did something similar. Interestingly, in both instances, death came quite quickly after that.
Philip Kitcher
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If there are to be appropriate judgments about what questions are significant, you need both the informed views of scientists who know what has been achieved and what future developments are promising and the reflective judgments of representatives of different groups who can identify what kinds of information are most urgently needed.
Philip Kitcher
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Most influential of all is the philosopher Stanley Cavell, and a younger generation of philosophers who have attempted to follow his pioneering work in thinking about literature philosophically.
Philip Kitcher
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I'm very suspicious of the idea of a final theory in natural science, and the thought of a complete system of ethical rules seems even more dubious.
Philip Kitcher
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I felt I should also contrast Visconti's treatment of the novella - usually damned by Mann fans (who typically respect Britten's more faithful adaptation). The Visconti film does many quite wonderful things, although there are good reasons for the condemnation.
Philip Kitcher
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To my mind, Death in Venice represents an enormous advance in Mann's literary development, not simply for the commonly appreciated reason that he crafted a superbly supple and elegant style, apparently well suited to the kind of prose Aschenbach is supposed to write.
Philip Kitcher
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For anyone who conceives literature in terms of plurality of perspectives, Finnegans Wake has to be the apogee. For, as we are told, every word in it has three score and ten toptypsical meanings - an exaggeration, of course, but an important reminder to readers who like their fiction definite.
Philip Kitcher
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I take the ethical truths to be the stable elements that emerge out of ethical progress and that are retained under further ethical progress.
Philip Kitcher
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Philosophers ought to aspire to know lots of different things and to forge useful synthetic perspectives.
Philip Kitcher
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Look at Mann's reading habits, his explicit comments on Nietzsche, and his copy of Birth of Tragedy, and it starts to seem doubtful that this work of Nietzsche's played much role in the gestation of the novella.
Philip Kitcher
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Many of the greatest works of philosophy seem to me to be valuable not because of their arguments, but because they offer us perspectives that open up new possibilities. They show us how we might start in different places, and not buy into the assumptions tacitly made on the first pages of the philosophical works that have influenced us.
Philip Kitcher
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I rather stumbled into philosophy. When I began my undergraduate career at Cambridge, I studied mathematics.
Philip Kitcher
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The amalgam of psychological attitudes we form is the synthetic complex. It may fall apart quite quickly as further reflection or further experience bears on it, and we may revert to our former judgments, feelings and tendencies.
Philip Kitcher
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Wilhelmine Germany was hostile to the expression of same-sex love - and, of course, Mann would have known of the fate of Oscar Wilde. His early reading of Platen's poetry, and, probably when he was in his early twenties, of Platen's diaries, introduced him to a form of sexual expression he found profoundly congenial. It's not quite Platonic.
Philip Kitcher
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Britten's opera tends to see things in simpler terms. It portrays an Aschenbach who wants a richer form of sexual fulfillment, and who is hemmed in by the social conventions to which he subscribes. But Visconti's use of the Mahler Adagietto is perfect for what I take to be Aschenbach's sexual desire.
Philip Kitcher
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The point of philosophy, as I see it, is to change thinking, and thereby to change the conversation.
Philip Kitcher
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Because the problems are objective features of the human situation - social animals without the capacities for making social life come easily - ethics is objectively constrained. It's not the case that anything goes.
Philip Kitcher
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There are many critics whose work I greatly admire. Even though I diverge from T.J. Reed in several important ways, I've learned greatly from his writings on Mann.
Philip Kitcher
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We know that he gave Aschenbach Mahler's first name, and also his facial features. So Visconti picks up on something interesting. That led me to think about ways of developing further the Aschenbach-Mahler connection.
Philip Kitcher