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The theory of evolution explains to us what our ancestry has been. It does not explain away our worth. Why should we be afraid to learn more about what we are?

Philip Kitcher

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Philip Kitcher
Age: 77
Born: 1947
Born: February 20
Philosopher
University Teacher
London
England
Philip Stuart Kitcher
Afraid
Worth
Theory
Learn
Away
Ancestry
Doe
Explains
Explain
Evolution

More quotes by Philip Kitcher

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Klaus Mann saw very clearly how different was his own (more liberated) form of homosexuality from the same-sex attractions of his father - and that is reiterated in TM's diary queries about how two men can sleep together.
Philip Kitcher
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Any writer who could handle all these different voices would deserve high praise, but to do so without any sense of jarring or incoherence is an extraordinary accomplishment.
Philip Kitcher
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Philosophers ought to aspire to know lots of different things and to forge useful synthetic perspectives.
Philip Kitcher
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There are many critics whose work I greatly admire. Even though I diverge from T.J. Reed in several important ways, I've learned greatly from his writings on Mann.
Philip Kitcher
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Because the problems are objective features of the human situation - social animals without the capacities for making social life come easily - ethics is objectively constrained. It's not the case that anything goes.
Philip Kitcher
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Think about Mann's own daily routine (ascribed to Aschenbach), read the extant diaries and the letters in which he discusses the novella's themes, and it won't be so obvious that the attraction to Tadzio is completely unprecedented it also won't be obvious that what Aschenbach wants is full sexual contact.
Philip Kitcher
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If there are to be appropriate judgments about what questions are significant, you need both the informed views of scientists who know what has been achieved and what future developments are promising and the reflective judgments of representatives of different groups who can identify what kinds of information are most urgently needed.
Philip Kitcher
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When I try to outline the history of ethical life, it's sometimes possible to find evidence for a hypothesis about how important transitions actually went. Often, however, that isn't so. There are many facts about human life in the Paleolithic we're never likely to know.
Philip Kitcher
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Britten's opera tends to see things in simpler terms. It portrays an Aschenbach who wants a richer form of sexual fulfillment, and who is hemmed in by the social conventions to which he subscribes. But Visconti's use of the Mahler Adagietto is perfect for what I take to be Aschenbach's sexual desire.
Philip Kitcher
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In ethics, we don't make progress by discovering pre-existent truths we do so by solving problems.
Philip Kitcher
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The point of philosophy, as I see it, is to change thinking, and thereby to change the conversation.
Philip Kitcher
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Look at Mann's reading habits, his explicit comments on Nietzsche, and his copy of Birth of Tragedy, and it starts to seem doubtful that this work of Nietzsche's played much role in the gestation of the novella.
Philip Kitcher
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Those citizens are distracted by the toys technology has supplied, and fail to recognize the ways in which what they most deeply want is made vulnerable by the coming disruptions of human relations on an over-heated planet.
Philip Kitcher
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Most influential of all is the philosopher Stanley Cavell, and a younger generation of philosophers who have attempted to follow his pioneering work in thinking about literature philosophically.
Philip Kitcher
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We know that he gave Aschenbach Mahler's first name, and also his facial features. So Visconti picks up on something interesting. That led me to think about ways of developing further the Aschenbach-Mahler connection.
Philip Kitcher
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I take the ethical truths to be the stable elements that emerge out of ethical progress and that are retained under further ethical progress.
Philip Kitcher
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It's a very bad idea for scientific conclusions to be accepted because they fit with the political values of a group of researchers.
Philip Kitcher
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Using the Adagietto of Mahler's Fifth is one of the touches of pure genius in Visconti's film (even though Mahlerians complain very loudly that the piece has been ruined), since it corresponds perfectly to Aschenbach's yearnings and to his circling walks around Venice.
Philip Kitcher
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I felt I should also contrast Visconti's treatment of the novella - usually damned by Mann fans (who typically respect Britten's more faithful adaptation). The Visconti film does many quite wonderful things, although there are good reasons for the condemnation.
Philip Kitcher
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So is fighting incompleteness the source of artistic neurosis? I doubt it. At most, this would apply to artists who deal with particular kinds of problems. I don't think we should think of Haydn or Mozart or Dickens or George Eliot in these terms.
Philip Kitcher