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To will a new form is unacceptable, because will builds distortion. Desire, too, is incomplete and arbitrary. These strategies, however intimate they might become, must especially be removed to clear the way for something else.
Philip Guston
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Philip Guston
Age: 66 †
Born: 1913
Born: July 27
Died: 1980
Died: June 7
Drawer
Engraver
Illustrator
Lithographer
Muralist
Painter
Montreal
Quebec
Philip Goldstein
Phillip Goldstein
Phillip (birth name - used before 1935) Goldstein
Form
Arbitrary
Become
Intimate
Might
Strategy
Unacceptable
Must
However
Strategies
Something
Especially
Distortion
Way
Clear
Builds
Desire
Incomplete
Else
Removed
More quotes by Philip Guston
That's what I mean by something grips in a canvas. The moment that happens you are then sucked into the whole thing. Like some kind of rhythm.
Philip Guston
There are so many things in the world - in the cities - so much to see. Does art need to represent this variety and contribute to its proliferation? Can art be that free? The difficulties begin when you understand what it is that the soul will not permit the hand to make.
Philip Guston
Lots of artists who paint have the experience to one degree or another... where their thinking doesn't precede their doing... It's a funny thing, what I really hate yet I have to go through with it, is the preparation.
Philip Guston
The painting is not on a surface, but on a plane which is imagined. It moves in a mind. It is not there physically at all. It is an illusion, a piece of magic, so that what you see is not what you see.
Philip Guston
Painting is an illusion, a piece of magic, so what you see is not what you see. I don't know what a painting is who knows what sets off even the desire to paint? It might be things, thoughts, a memory, sensations, which have nothing to do directly with painting itself. They can come from anything and anywhere.
Philip Guston
The canvas is a court where the artist is prosecutor, defendant, jury and judge. Art without a trial disappears at a glance.
Philip Guston
Many works of the past complete what they announce they are going to do, to our increasing boredom. Certain others plague me because I cannot follow their intentions. I can tell at a glance what Fabritius is doing, but I am spending my life trying to find out what Rembrandt was up to.
Philip Guston
I should like to paint like an man who has never seen a painting, but this man -myself - lives in a museum.
Philip Guston
We are image-makers and image-ridden... We work until we vanish.
Philip Guston
The things I felt... about certain painters of the past that... inspired me, like Cezanne and Manet... that complete losing of oneself in the work to such an extent that the work itself... felt as if a living organism was posited there on the canvas, on this surface... That's truly... the act of creation.
Philip Guston
I go to the studio everyday because one day I may go and the Angel will be there. What if I don't go and the Angel comes?
Philip Guston
Painting seems like some kind of peculiar miracle that I need to have again and again.
Philip Guston
There's some mysterious process at work here, which I don't even want to understand.
Philip Guston
I feel more as if I'm shaping something with my hands. I feel as if I've always wanted to get to that state. Like a blind man in a dark room had some clay, what would he make? I end up with 2 or 3 forms on a canvas, but it gets very physical for me.
Philip Guston
There is something mysterious in this work that I do not ever what to discover.
Philip Guston
More than a process, painting is being possessed.
Philip Guston
Painting is an illusion, a piece of magic, so what you see is not what you see.
Philip Guston
But you begin to feel as you go on working that unless painting proves its right to exist by being critical and self-judging, it has no reason to exist at all - or is not even possible. The canvas is a court where the artist is prosecutor, defendant, jury and judge. Art without a trial disappears at a glance.
Philip Guston
Painting seems like impossibility, with only a sign now and then of its own light.
Philip Guston
If the artist starts evaluating himself, it’s an enormous block, isn’t it?
Philip Guston
