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I'm not interested in painting I'm not interested in making a picture. Then what the hell am I interested in? I must be interested in this process.
Philip Guston
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Philip Guston
Age: 66 †
Born: 1913
Born: July 27
Died: 1980
Died: June 7
Drawer
Engraver
Illustrator
Lithographer
Muralist
Painter
Montreal
Quebec
Philip Goldstein
Phillip Goldstein
Phillip (birth name - used before 1935) Goldstein
Interested
Painting
Hell
Interest
Making
Process
Must
Picture
More quotes by Philip Guston
Painting is an illusion, a piece of magic, so what you see is not what you see.
Philip Guston
Sometimes I scrape off a lot. You have on the floor, like cow dung in the field, this big glob of paint... and it's just a lot of inert matter, inert paint. Then I look back at the canvas, and it's not inert - it's active, moving and living.
Philip Guston
What is seen and called the picture is what remains - an evidence. Even as one travels in painting toward a state of 'unfreedom' where only certain things can happen, unaccountably the unknown and free must appear.
Philip Guston
There are so many things in the world - in the cities - so much to see. Does art need to represent this variety and contribute to its proliferation? Can art be that free? The difficulties begin when you understand what it is that the soul will not permit the hand to make.
Philip Guston
Usually I am on a work for a long stretch, until a moment arrives when the air of the arbitrary vanishes, and the paint falls into positions that feel destined.
Philip Guston
When I see people making 'abstract' painting, I think it's just a dialogue and a dialogue isn't enough. That is to say, there is you painting and this canvas. I think there has to be a third thing it has to be a trialogue.
Philip Guston
Painting seems like some kind of peculiar miracle that I need to have again and again.
Philip Guston
That's what I mean by something grips in a canvas. The moment that happens you are then sucked into the whole thing. Like some kind of rhythm.
Philip Guston
I am a night painter, so when I come into the studio the next morning the delirium is over.
Philip Guston
I should like to paint like an man who has never seen a painting, but this man -myself - lives in a museum.
Philip Guston
To will a new form is unacceptable, because will builds distortion. Desire, too, is incomplete and arbitrary. These strategies, however intimate they might become, must especially be removed to clear the way for something else.
Philip Guston
I do not see why the loss of faith in the known image and symbol in our time should be celebrated as a freedom. It is a loss from which we suffer, and this pathos motivates modern painting and poetry at its heart.
Philip Guston
The painting is not on a surface, but on a plane which is imagined. It moves in a mind. It is not there physically at all. It is an illusion, a piece of magic, so that what you see is not what you see.
Philip Guston
If the artist starts evaluating himself, it’s an enormous block, isn’t it?
Philip Guston
The canvas is a court where the artist is prosecutor, defendant, jury and judge. Art without a trial disappears at a glance.
Philip Guston
But you begin to feel as you go on working that unless painting proves its right to exist by being critical and self-judging, it has no reason to exist at all - or is not even possible. The canvas is a court where the artist is prosecutor, defendant, jury and judge. Art without a trial disappears at a glance.
Philip Guston
More than a process, painting is being possessed.
Philip Guston
Many works of the past complete what they announce they are going to do, to our increasing boredom. Certain others plague me because I cannot follow their intentions. I can tell at a glance what Fabritius is doing, but I am spending my life trying to find out what Rembrandt was up to.
Philip Guston
I go to the studio everyday because one day I may go and the Angel will be there. What if I don't go and the Angel comes?
Philip Guston
I feel more as if I'm shaping something with my hands. I feel as if I've always wanted to get to that state. Like a blind man in a dark room had some clay, what would he make? I end up with 2 or 3 forms on a canvas, but it gets very physical for me.
Philip Guston