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There are so many things in the world - in the cities - so much to see. Does art need to represent this variety and contribute to its proliferation? Can art be that free? The difficulties begin when you understand what it is that the soul will not permit the hand to make.

Philip Guston

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Philip Guston
Age: 66 †
Born: 1913
Born: July 27
Died: 1980
Died: June 7
Drawer
Engraver
Illustrator
Lithographer
Muralist
Painter
Montreal
Quebec
Philip Goldstein
Phillip Goldstein
Phillip (birth name - used before 1935) Goldstein
Needs
Free
Difficulties
Much
Understand
Permit
Make
Art
Represent
Things
Hands
Variety
World
Doe
Difficulty
Soul
Begin
Need
Cities
Proliferation
Many
Hand
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More quotes by Philip Guston

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There is something mysterious in this work that I do not ever what to discover.
Philip Guston
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To will a new form is unacceptable, because will builds distortion. Desire, too, is incomplete and arbitrary. These strategies, however intimate they might become, must especially be removed to clear the way for something else.
Philip Guston
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The painting is not on a surface, but on a plane which is imagined. It moves in a mind. It is not there physically at all. It is an illusion, a piece of magic, so that what you see is not what you see.
Philip Guston
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The canvas is a court where the artist is prosecutor, defendant, jury and judge. Art without a trial disappears at a glance.
Philip Guston
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Sometimes I scrape off a lot. You have on the floor, like cow dung in the field, this big glob of paint... and it's just a lot of inert matter, inert paint. Then I look back at the canvas, and it's not inert - it's active, moving and living.
Philip Guston
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It is the bareness of drawing that I like. The act of drawing is what locates, suggests, discovers. At times it seems enough to draw, without the distractions of color and mass. Yet it is an old ambition to make drawing and painting one.
Philip Guston
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In my experience a painting is not made with colors and paint at all. I don't know what a painting is who knows what sets off even the desire to paint?
Philip Guston
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I feel more as if I'm shaping something with my hands. I feel as if I've always wanted to get to that state. Like a blind man in a dark room had some clay, what would he make? I end up with 2 or 3 forms on a canvas, but it gets very physical for me.
Philip Guston
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Painting is an illusion, a piece of magic, so what you see is not what you see. I don't know what a painting is who knows what sets off even the desire to paint? It might be things, thoughts, a memory, sensations, which have nothing to do directly with painting itself. They can come from anything and anywhere.
Philip Guston
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The things I felt... about certain painters of the past that... inspired me, like Cezanne and Manet... that complete losing of oneself in the work to such an extent that the work itself... felt as if a living organism was posited there on the canvas, on this surface... That's truly... the act of creation.
Philip Guston
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I am a night painter, so when I come into the studio the next morning the delirium is over.
Philip Guston
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Painting seems like some kind of peculiar miracle that I need to have again and again.
Philip Guston
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That's what I mean by something grips in a canvas. The moment that happens you are then sucked into the whole thing. Like some kind of rhythm.
Philip Guston
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More than a process, painting is being possessed.
Philip Guston
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Painting is an illusion, a piece of magic, so what you see is not what you see.
Philip Guston
Image
I go to the studio everyday because one day I may go and the Angel will be there. What if I don't go and the Angel comes?
Philip Guston
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If the artist starts evaluating himself, it’s an enormous block, isn’t it?
Philip Guston
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Many works of the past complete what they announce they are going to do, to our increasing boredom. Certain others plague me because I cannot follow their intentions. I can tell at a glance what Fabritius is doing, but I am spending my life trying to find out what Rembrandt was up to.
Philip Guston
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I do not see why the loss of faith in the known image and symbol in our time should be celebrated as a freedom. It is a loss from which we suffer, and this pathos motivates modern painting and poetry at its heart.
Philip Guston
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When I see people making 'abstract' painting, I think it's just a dialogue and a dialogue isn't enough. That is to say, there is you painting and this canvas. I think there has to be a third thing it has to be a trialogue.
Philip Guston